Archive for the ‘Gear porn’ Category

The Ampeg that would not die…..

Thursday, November 1st, 2007

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This is unreal……

Check out the bass cabinet behind the trumpet player in this photo of this very cool new trance-garage-psychedelic band in San Francisco called “Wooden Shjips” (Chronicle photo by Liz Hafalia above, article here.)

I bought this SVT cab and head in 1986 to play in my band Bomb. It was already old then. I bought it from a place called “Black Market Music” for $1000 (including tax) for the combo, which also included a red Anvil road case case for the amp head. I stenciled the band logo on the sides of the cab, the backplate of the head, and the road case as soon as I bought it.

This thing was more than gear to me, it was my heartbeat, to myself and the world, for seven years.

I toured America six times playing through this Ampeg SVT combo….and up and down the West Coast a lot and in San Francisco constantly…over 500 gigs. I played it on all the Bomb records except the Laswell one (I used his SVT) and the “Personal Jesus” single (was in Germany, used the SVT of the band we were touring with.)

This song, “Bigger Than Fun”, is the amp turned up to about 8.

I lost it to a pawn shop on sixth street in 1993, soon after Bomb broke up. Some guy bought it from them.

I got clean in 1994, bought it back from the guy in 1995. My friend Bean used the amp for two years in our band Slish. Then Slish broke up and I used it for another year with my friends Cliff and Squid. I sold the combo to my good buddy Newt in 1998. He later sold it to our friend Warner.

I moved to LA in 2001, Warner passed away, I forgot about the amp.

Friggin’ unbelievable.

Anyway, hey Wooden Shjips: Your music sounds great, amp still sounds great, glad it kept rockin’ longer than I did.

———————

(Thanks, Tania Skevos!)

ONE-YEAR ANNIVERSARY OF CLONE THE HOMELESS!

Thursday, October 25th, 2007

 

Get episode 0053

Thurs, 25 Oct 2007

YUP! IT’S BEEN ONE YEAR TODAY!

 

EPISODE 55

976-BeckyChat! (3)

Michael W. Dean and Debra Jean Dean have a chat with our special little friend, Becky Haycox. (Part 3 of 4)

Checking out womens’ racks over your wife’s shoulder, sexism, ominsexual people, San Francisco, how to deal with your boyfriend working at a strip club, feminist strippers, couples who like the same pornography, taking your girlfriend on a date to see the strippers, why women like romance in their sex, other ways that women differ from men, why these chicks hate male bashing, sleeping with more than one person without being a slut, how to get rid of a panhandler, why there’s no such thing as spare change, seeing the Sex Pistols in San Antonio on January 8, 1978 at Randy’s Rodeo, Pink Floyd never murdered anyone, Syd Barrett rocks, and how to freak out the youth of today.

Photos of the day here.

Entire episode recorded on location on the street in Ventura, California on the Zoom H2 portable handy recorder.

Livin’ large in China?.. pt 5

Tuesday, October 23rd, 2007

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Instead of bragging all the time about how cool it is to be a privileged White-boy in Red China, this kid quit teaching English and took a job here in a local barbershop. Why? He wanted to see for himself what the lives of the Chinese people are really like. Bravo! I now step down from my yellowed ivory tower to present:

BEN, a Midwesterner in the middle Kingdom. http://www.benross.net/wordpress/?p=56

He crunches some numbers and makes some interesting comparisons:

Teaching English in China: 919 hours per year (230 work days)
American job: 1936 hours per year (242 work days)
Job in Chinese barbershop: 3542 hours per year (322 work days)

So there you have it. My job in the barbershop requires me to put in almost twice the hours I would put in had I been working in the US and nearly 4 times the amount of hours I would have put in as an English teacher in China, not to mention that it also requires nearly 100 more work days per year as well.
If I were to work at the barbershop for one year, making 600 RMB per month and accounting for the first month going unpaid, my hourly rate would be 1.86 RMB per hour. That comes out to a walloping 24.47 cents per hour.
http://www.benross.net/wordpress/?p=56

Sweet song for my sweet, departed daughter.

Tuesday, October 23rd, 2007

mewithmicinfield.jpg
Song for my sweet, departed daughter.
http://www.youtube.com/watch?v=RqZNMO3oIdc

Song I sang for my daughter, Amelia Laine Worth shortly after her death from Leukemia last year. Haven’t been able to listen to this song I sang it in memory of my daughter, Amelia Laine Worth shortly after her death from Leukemia last year.

Finally listened to it again yesterday. And today I went up on a hill, recorded another track of vocals. Wife held the camera, I edited the video. I like it a lot. Made me cry, and that made me feel better.

JESUS, I miss my daughter.
—-
Song: “Hallelujah” by Leonard Cohen.
Arrangement: Jeff Buckley.
Arrangement: Michael W. Dean.
Vocal: Michael W. Dean.
Drums, guitar, bass and organ: Cliff Truesdell.
Pedal steel guitar: Charlie Kramer.

For those of you in China, or who just want a better-looking encode than the YouTube, here’s the 85-meg file. (right click to save.)

Commercial for heroin

Sunday, October 21st, 2007

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I recorded this song ten years ago. The production quality is horrible (it was one of my first attempts at computer recording, and I also didn’t have a good mic or digital input for the computer), but it’s pretty nifty anyway.

I can’t remember if I played guitar or it was my buddy Mike. Mike?

MWD

How much money you save by going green

Sunday, October 21st, 2007

greenmoneysign.JPG

HOW OUR NEW FRIDGE WILL PAY FOR ITSELF IN 18 MONTHS

With my new writing gig, we’ve decided to buy a new fridge this month. Nothing fancy, just something black and in the 500-dollar range that will last a long time and use less power.

Our current fridge is 24 years old and so loud we have to unplug it each time we record our podcast or do voiceover, even with our home studio door closed. It runs too cold or not cold enough, no matter how carefully we set the dial. It uses lots of power (and yes, we do vacuum the dust out of the coils). It also pees a bit. This could warp the wooden kitchen floor.

Also, our refrigerator’s compressor motor runs constantly, which is yet another reason to replace this frosty, peeing beast. New fridges have little microchips to switch the motor off when it’s not needed.

The old fridge has done well for itself (I hope the new one will last a quarter-century), but it’s time to buy my first major appliance.

Ahhh…adulthood.

So we were wondering “how long will it take the new one to pay for itself in saved power?” To do this, we had to figure out how much power the old one is currently using.

Ever look at your power meter? It’s that thing somewhere outside your house that has little dials on it. It’s an analog steam punk-looking device that probably hasn’t changed in design in 80 years. They certainly haven’t changed since I was a kid, 40 years ago. They do make digital ones, but most of the meters in use are still the type with the moving dials.

The little vertical clock dials at the top tell you how much power (in kWh or Kilowatt hours, i.e. thousand watts per hour) it’s using over a period of time. The big horizontal silver dial below that measures power being used right NOW.

meter2.jpg

Every few months, a guy comes by your house, gets bit by your dog, and reads the meter. I wanted to do this on our domicile myself (except for the dog part).

I had to search the term “how to read a power meter” to crack the code. Most of the few results only tell you how to read the top dials. But I found ONE that told me how to read the horizontal silver dial. This is the formula:

Look on the meter for something that says “Kh X.X”, where “X.X” is some number (often 7.2). Plug your numbers into the following formula:
3.6 x Kh factor
—————– = kW
number of seconds

First I went out and looked at the meter in normal operation and familiarized myself with its mysteries. I made a friend. “Hi Mr. Meter, do you mind if I poke at you with my eyes?” He didn’t answer, and I took that as him not minding.

I watched the silver dial happily rotating, wrote down the Kh=x.x number (ours is 7.2) and headed inside.

We unplugged everything in the house. Everything except the gas stove, but we couldn’t easily move it, and all it has on when it’s not cooking is a digital clock.

I went outside. The silver dial appeared dead. No perceptible movement.

I came back inside, plugged in the fridge, waited 20 seconds for the cacophonous motor to kick on, and went outside, cell phone in hand, set to “stopwatch”.

The silver dial has a black mark at one point, so you can tell when it’s gone all the way around. With only the fridge running, the dial took 75.5 seconds to rotate once. By applying the above formula, that works out to 343 watts per hour. Multiplied by 24 hours x 365 days a year, works out to 3004680 watts per year. That means our fridge uses 3004.68 KWH per year. That’s 3 million watt hours a year.

You could just measure with a normal-day level of appliances and lights on, then unplug the fridge and subtract. But we felt more scientific comparing nothing on to only the fridge on than we would have comparing everything on to everything minus fridge.

Just for kicks, we wanted to know what we use in a normal day hanging out in the nest. We left the fridge on, plugged everything back in, and turned on two laptops, a mixer, phantom power on the mixer, powered computer speakers, two digital clocks, the cordless phone, the DVD player (set on “off”, but still using a little power). Total usage: 762 watts.

That means our old fridge eats almost half of all the power we use in a normal late afternoon when a lot things are on. And the fridge is on ALL the time, which means it uses more than half of all the power we consume.

Just for further kicks, we left all the above on and also turned on the TV, which we rarely do while all the other stuff is on, but this put the total up to 836 watts per hour.

The new fridge we just put a down payment on (a brand name-unit, well rated on Consumer Reports, $550 new, $594 with tax and delivery, on sale from a major chain outlet, and it’s Energy Star rated) uses 432 kWh per year, less than one-tenth of our old one.

According to our power bill, we pay 16.6 cents per kWh. This price can change slightly, but it doesn’t change a lot.

So, the old fridge costs $498.77 per year to operate. The new one will cost $71.71 a year to operate. This means that the new fridge will cost $427.06 less per year to run than the old one.

The energy savings will pay for the new fridge in 1.39 years, or about 18 months. AND the new one won’t pee on the floor or rattle loudly in our quiet, lovely little nest.

Post about why I love to edit audio

Friday, October 19th, 2007

http://tech.groups.yahoo.com/group/podcasters/message/33326

(The text at the top is Todd’s post, my reply is below.)

Dave Bock interview, part 2 of 2

Friday, October 19th, 2007

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>>Get MP3 of episode 0054 of CLONE THE HOMELESS

Fri, 19 Oct 2007

WHEN A MICROPHONE IS BETTER THAN A ROLEX - part 2 of 2

Interview with DAVE BOCK and KIRSTEN BOCK OF BOCK AUDIO. Recorded on Bock microphones in the living room of Dave and Kirsten Bock.

Bock Microphones are becoming a name that people expect to see in the highest-end recording studios in the World.

Topics:
Dave Jerden, Bill Laswell, rock music click pads on bass drums, MDC, Alice in Chains sounds like Crosby, Stills, Nash and Young singing over Black Sabbath, why David Bock and Michael Dean started playing guitar, 1973 Gibson Les Paul signature hollow body guitars, giving the gift of prog rock, Dave Bock’s awesome surround sound McIntosh tube-powered home stereo, Esoteric Audio, Dave Bock on the history of Bock microphones. Kirsten Bock and Dave Bock expound on how the first Bomb record got made at Hyde Street Studios. She talks about The Farm, The Chatterbox, Michael Urbano, Dave Immergluck, Dan Schwartz, John Hyatt, Bill Laswell, Michael Beinhorn, Liquid Jesus, the power of mixing in mono, how to play power pool. They talk about what’s on Dave’s iPod,
George Massenburg, close micing jazz music, Barre Phillips, and the Hit Factory.

From the Clone The Homeless podcast

 

The REAL $30 Film School

Thursday, October 18th, 2007

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Get the $30 one-use video camera

then hack it to work more than once.

Voilà! You’re a filmmaker for 30 bucks!

Skip Lunch, Howie Kafka, me, and the Internet

Thursday, October 18th, 2007

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Just got off a three-way Skype call with Howie Kafka and Skip Lunch. Still on the line with Skip. Howie’s in Germany and Skip’s in China, I’m near Los Angeles. We remembered something I’d forgotten: I introduced them, and I introduced Howie to the Internet. Howie said he had a computer but no modem and I sent him a SNAIL MAIL letter in 1996 and said “You’ve GOT to get a modem and check this shit out!” He did, then I introduced them to each other and they’ve been best friends forever, ever since.

mew. Awww…..I love it.

We had fun on the Skype three-way and were sharing links and music and all that stuff and had a realization: This is what we dreamed of as kids…..talking over the miles with our buddies, while living our lives in amazing places.

Rock the fuck on, man.

How come our podcasts sound so great?

Thursday, October 18th, 2007

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People often write and ask me:

>How do you get your shows to sound so good? They sound like NPR or something, yet you do them at home…What’s your secret?

Well, grasshopper, I will tell you what I know…..
It’s all here: http://www.askdollie.com/PodGear.htm

Photos of our studio here.

Ten dollar discount on DreamHost’s already inexpensive web hosting

Thursday, October 18th, 2007

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(And now, a word from our sponsors. US!)

We have an AMAZING web host: DreamHost. They offer great service, a LOT of monthly bandwidth (TERABYTES, not gigabytes) and a large amount of server space, CHEAP. AND, the amount of server space and throughput increases every month you use them!

HOW TO GET THE DISCOUNT:

GO TO DREAMHOST. SIGN UP. Then enter promo code: DEAN when you sign up and you’ll get your ten dollars off.

I do get a little free time if you enter DEAN

However, I would not endorse a company I didn’t use and love.

(Short MP3 of great little audio commercial we made, with cool music I made. Feel free to use anywhere.)

….for Helios Creed

Saturday, October 13th, 2007

h.jpg(Helios checks his e-mail. Photo by Michael Dean)

I wrote a song this week called “Alien Symptom.” It’s very much in (my interpretation) of the style of my friend/hero/influence Helios Creed. Helios heavily influenced Ministry, Butthole Surfers and Flaming Lips, among others.)

Download the MP3

I played drum loops, bass guitar, keyboards, and sang. Charlie Kramer played the guitar (over the Internet, and e-mailed me the files.) Mix is still a little rough, but I like the song and the singing.

I’ve never really tried to write / play / sing / produce in someone else’s style, but this came very naturally, and I like the results.

I’m especially proud of the lyrics. And they’re are about being scared late at night and contemplating my own mortality, something I tend to do occasionally between, oh, 2 AM and 6 AM or so, especially when the wife’s asleep and the cats are being crazy and it’s very very quiet.

(Video we made for the song is here: http://www.youtube.com/watch?v=InugVk1bxxM )

Here’s the lyrics:

Alien symptom -

feed the parasite

alien symptom -

complete the path tonight.

 

Feed the little parasite

complete all the paths all right.

 

Neuro-illogical restructuring

dressing room Mabuhay gardens

we shared a glass of sleep.

 

Alien symptom -

spaces between the light.

alien symptom -

Forgive the fortune of the night.

 

Access interrupted for

authentication protocol

speak to me

in silent terr0r-bytes.

 

File is offline

attribute missing

isolation modules in

synaptic silicon.

 

Feedback loop of

late-night protocol

crystal membrane landscapes tell the truth

in forgotten pentathol.

My report on the pod expo for O’Reilly site

Thursday, October 11th, 2007

Article is here: http://tinyurl.com/3c339j

A few of my photos got cut for length:

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caption: “Me at book signing: Buy my book or I’ll smack you with this microphone.”

—–

pmdfriday-029.jpg

caption: “I’m not sure if this was a boy or a girl, but after about four beers I’d be following it around. Which is part of the reason I no longer drink.”

—–

DJ’s stunning large photo (makes great wallpaper) is getting used on the front page, but here’s the big one:

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Note. I invented a word poduine and it’s in this article.
The word “poduines” is not on the Internet at all. Let’s check in a month, see if it catches on.

The word “poduine” exists only five places on the Internet now.
What language is this? Regardless, it’s certainly not the context I’m using.
http://www.google.com/search?num=100&hl=en&safe=off&q=poduine&btnG=Search

This hard drive will extend my lifespan

Tuesday, October 9th, 2007

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UPS just delivered got my new Western Digital 500 gig external FireWire drive. I can backup MOST of everything I’ve ever done on here. Let’s call this thing PodBot 1.0.

I’m psyched. This thing only cost $167 (on NewEgg. I love NewEgg.com. They have great prices, and since they ship from nearby Orange County, the stuff arrives overnight, even when I pay only for the cheap three-day UPS shipping.)

I can remember ten years ago seeing a one-terabyte drive array (that’s twice the capacity of this one). It cost 100,000 dollars, was the size of a fridge, and nurds at the trade show were standing in front of it touching themselves and salivating.

I love that the tools of my trade are getting so damn cheap. It’s a great time to be alive.

mewwwwwwwwwwwwhhhaaaaaaaa

Monday, October 8th, 2007

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I’m on Ativan. I like it. Free high for medical reasons that does not count as a relapse.
It’s prescription, I’m headed in for periodontal work.

I’ve loaded some Pink Floyd on my pod.

–MWD

Gear Porn Rag

Saturday, October 6th, 2007

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“Gear Porn Rag” 4-meg MP3. Quick song I did in Sony Acid. It’s trip hop, jazz, and me checking microphones.

Oddly satisfying.

Zune store?

Friday, October 5th, 2007

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Microsoft is starting a Zune online store, to compete with the iTunes store.

A guy came on the Yahoo Podcasters board yesterday and announced he had been hired by Microsoft as the podcaster leiason for the Zune store. His post is here, and you can follow the thread by scrolling down to the bottom of that page.

Most people replied to him with some variation of “COOL! How do we get our podcasts on the Zune store?” I replied with a bunch of questions. Someone snipped back at me, and I posted a reply that sums up how I feel about this.

My last post (as of right now) on the thread, is this:

Steve,

I’m not being suspect of the Zune guy, I’m being suspect of the Zune,
which the Zune guy has chosen the role of representing.

I can’t really say “Hey man, how come you don’t play fair?” to a Zune,
because it’s a thing. It won’t care. But the Zune has, at least in the
past, behaved in a way that would make me angry, were it a person. And
the Zune guy has taken on the job of repping that *thing* to us, so
that’s the reception his job position is going to get. And not just
from me.

I’m not saying I’ll never put my stuff on the Zune store, I’m just
saying I have some questions that I’d like answered before I hike up
my skirt and say “Oh, newly minted major digital media force, how may
I beseech thee?” And I think other content creators should consider
their content important enough to ask some questions too, other than
just “How do I get my stuff on Zunes?”

I am not of the mind that “Microsoft is evil”, in fact, I love, and
use, many of their software products. I am not of the mind that “all
corporations are evil”, I basically feel that in the computer realm,
at least with the two major players, they’re both about equally as
benignly irksome. Apple maybe more, because they tend to paint
themselves as fuzzy Berkeley hippies, which hasn’t been the truth
since their inception.

I just wanna know how the Zune is gonna deal with and treat this
wonderful media we’re making in our bedrooms. Is it going to be nice
to it and play fair? Ya know?

For instance, if I release a podcast with no DRM (digital rights
management), and under a Creative Commons license, is it going to be
able to be freely beamed from one Zune to another, or will it still
lock up after three days, three plays (or partial plays) or whatever.
Will that DRMed file be infinitely DRMed down the line as copies are
made?

Anyone thinking I’m being too suspect of this whole thing should read
this:
DRM criticisms of the Zune
http://en.wikipedia.org/wiki/Zune#Digital_rights_management
and
Microsoft Zune will violate Creative Commons licenses:
http://www.boingboing.net/2006/09/15/microsoft-zune-will-.html

and any of thousands of other articles you’ll find if you search
“Zune” + “DRM”
http://www.google.com/search?num=100&hl=en&safe=off&q=Zune+DRM&btnG=Search

I think podcasters should care about their content, and how it’s
treated, always. Even if you’re giving it away for free, there are
always more important issues than just “Oh, someone’s going to make me
more visible? Where do I sign up.”

–MWD
“Clone The Homeless”
Michael W. Dean’s podcast that remembers when sex was safe and music
was dangerous. (Free, and no iPod is needed to listen.)
http://www.clonethehomeless.com

My cool new gig (O’Reilly writer)

Thursday, October 4th, 2007

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Well, I started my new gig as a writer (and occasional audio journalist and producer) for the O’Reilly Digital Media site. I dig it.

DJ and I went to the pod expo and had a blast. I recorded some audio of it, and it’s now edited and up on the site.

It was a good trip and this is a good gig for me. I haven’t spent a night outside my house since my daughter’s funeral (11 months ago), and I think I’m off my kick of “I’m not leaving the house ever again.” I was a little nervous the first night of the expo for this reason (still stuck in homebound mode), but I think going out and having a bunch of fun outside the nest was really fun.)

=====
http://digitalmedia.oreilly.com/

permalink:
http://digitalmedia.oreilly.com/2007/10/04/dmi18-inside-the-new-media-expo.html

Direct MP3:
http://cachefly.oreilly.com/digitalmedia/2007/10/dmi19-new-media-expo.mp3

RSS for Digital Media Insider podcast:
http://www.oreillynet.com/pub/feed/72?format=rss2

Includes interviews I did with: Tim Bourquin (founder of the Podcast
And New Media Expo), Mignon Fogarty (Grammar Girl podcast), Tee Morris
(co-founder of Podiobooks.com / co-author of “Podcasting for
Dummies”), Stephen Eley (Escape Pod podcast), Tim Street (French Maid
TV vodcast), Michael Butler (Rock and Roll Geek Show podcast on
Podshow.com), Evo Terra (co-founder of Podiobooks.com / co-author of
“Podcasting for Dummies”), Roy Harper (Marshall / MXL mics), Matthew
Wayne Selznick (Writers Talking podcast, founder MwsMedia.com, author
“Brave Men Run”) , Michael W. Dean, Joel Mark Witt (MarylandZoo.TV
vodcast), and Father Roderick Vonhogen (The Healthy Catholic vodcast.)

=====

(Below: an unrelated photo of O’Reilly’s mascot, the Tarsier. I think these things are creepy. They look like little people. But don’t mind cashing checks with a Tarsier on it, and O’Reilly’s checks DO have a drawing of a Tarsier on them.)

philippine-tarsier.jpg

DEAL MACHINE “The kegger band for online universities.”

Thursday, October 4th, 2007

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Last year I started three podcasts. Clone The Homeless, SAC and Deal Machine. http://www.dealmachine.org/.

The first two are still going. Deal Machine Podfaded.

Clone The homeless and SAC are still doing weekly episodes of me and the wife and our little friends yacking. But do not lament the fate of poor faded Deal Machine, it served its purpose.

Last year I got seriously into computer recording. I’d been recording audio on computers since 1996, which is shortly after it was possible to do so, but had never really gotten good at it (or even owned a decent microphone) until last year. I’d made a lot of great music before, but it had all been done in studios, recorded to 16- or 24- track tape, and was engineered by people who spent their lives learning about audio recording.

Deal Machine was my music podcast. My virtual band. Or as George Earth said, “The kegger band for online universities.”

I’d record bass, drum loops and vocals, upload the songs, and my buddies in different cities (and countries) would record guitar to that, e-mail me the guitar tracks, and I’d mix it. The podcast linked (and delivered via RSS) the rough mix, then the final mix. It was a fun thing, you got to see the music form.

I basically did it to help me learn to record, to remember how to sing and play bass, and to give me something to do creativly to help process my daughter’s death. I think that Deal Machine served its puropuse. It’s no longer being updated, but there’s some damn fine songs on there.

Check out “Ode To A Cat” (which my friend Bob Bartosik played sax on, and George Earth played guitar on, both over the Internet.)
Then check out the rest of the songs.

Enjoy!

Gorgeous kitty pix

Wednesday, October 3rd, 2007

We got a new Canon A460 digital camera today. (We’re giving away our old camera, if you want it, e-mail me. The old one found a new home already.)

The new camera pretty much kicks ass. And it was really inexpensive (like $115 with shipping.)
It takes damn fine pretty kitty pictures. Here’s a WONDERFUL photo DJ took of Fuzzy:

newcamerayay-039.jpg

And you can click here for the 3-meg zip of 8 wonderful kitty-and-microphone pix click here to get the 3-meg zip of 8 wonderful kitty and microphone pix. They make great computer wallpaper, and you can feel free to use for anything. Credit Debra Jean Dean.

And this little one, below (that I took, with the old camera) makes a great center (not tiled) computer desktop.

debeastmyoffice.jpg

Below is a thumbnail to another (large) wallpaper from the same session.

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976-BeckyChat! (2)

Tuesday, October 2nd, 2007

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DOWNLOAD Episode 0053 (54 megs, 60 minutes)

Michael W. Dean and Debra Jean Dean have a chat with our new little friend, Becky Haycox. (Part 2 of 4) (And yes guys, she is cute and single!)

They all drive around Ventura, California, go have dinner together, talk about sexy sailors, polyamory with guys who look great in a skirt, drugs of the nasal variety, Kathy Griffin and the Catholic Church, meth-takin’ bike-ridin’ Christians, pinking up, Danny Plotnick, getting clean vs. dying, traveling Europe with your film, Miles Montalbano, commemorative tattoos for dead relatives, kinderwhore punklettes, dealing with a death in the family, make love not war, The Fabulous Furry Freak Brothers, “Pants a gangsta day”,

Episode is from Michael W. Dean’s podcast that remembers when sex was safe and music was dangerous. (Free, and no iPod is needed to listen.)
http://www.clonethehomeless.com

Entire episode recorded on the Zoom H2 portable handy recorder.

Below. Photo by Becky of the “Give peace a chance” girls we encountered.

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fdrecccccccccccc32wwwwwwwwwwwwwwwwwwwwwwvcfdcr

Monday, October 1st, 2007

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I just came into my office, and that’s what it said on my screen. “fdrecccccccccccc32wwwwwwwwwwwwwwwwwwwwwwvcfdcr.”
I didn’t type it, DJ didn’t type it. I’m guessing a cat typed it.

That reminds me of something I saw years ago: PawSense. It’s a total “If someone can program it, someone will” software program. PawSense detects “cat-like typing” (any three adjacent keys typed simultaneously) and sounds a LOUD alarm through your speakers to “train” the cat. It also disables the keyboard from being seen by any programs until you type the word “human.”

I dunno….I find cat herding impossible for me, I doubt software can do better. (And my cats can probably type the word “human.”) But I still love the idea of PawSense. And hell, it’s only 20 bucks.

(I love that the image on their site, above, is called “Peanut on keyboard”, because it looks like our cat named Peanut.)

cat-like-typing-detected.gif

I love my wife!

Friday, September 28th, 2007

And she makes me look SO good!

Debra Jean Dean took these two pix of me today at the Podcast expo. (With the new microphone I got her as an anniversary present, our anniversary is tomorrow!)

These pix are SO damn good. That’s what happens when the photos are taken by someone who sees ya through the eyes of love!

Yay. They’re gonna be my new promo pix.

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Click photos for high rez. And feel free to use these two photos. Photo credit: www.DebraJeanDean.com

====-

Pix of DJ and me, just fur kicks!:

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Podcast expo, day zero

Friday, September 28th, 2007

MWD interviewing Grammar Girl:

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Howdy! Me and DJ are at the Podcast and New Media Expo in Ontario, California. It’s a multi-purpose trip for us. We wanted to go, and also, I’m speaking here on a panel on Saturday. And Saturday is also our one-year wedding anniversary (yay!). And it’s also a working vacation for me, as I’m covering the event in words, audio and photos for the O’Reilly Digital Media site.

Debra Jean and I got here yesterday. A friend is watching our house (and our squittens!) and we came up two days early. The actual expo starts tomorrow (Friday), but we got in yesterday (Wednesday), recovered from the drive, relaxed, had some hotel lovin’, and walked around meeting people.

Tonight there was a reception for the speakers. We attended that, and I got some of the “work” out of the way early. Interviewed a bunch of “rock star level” podcasters about trends and such, and did some ambient recording for kicks.

The hotel is not only next to the airport, it’s also next to a railroad track. We actually have double-layer windows, to block out the noise. I opened the windows and recorded this short (two minutes) MP3 of the train passing by our hotel room tonight. And here is a 30-second MP3 of the speakers’ reception, which one could certainly use for a party when that need arises in some audio production.

I’ll post more later, on the O’Reilly site, probably next week, but I just wanted to check in and let you know I didn’t fall down a woodchuck hole.

MEW!

– Michael W. Dean

Podcasting for Dummies” co-author, Tee Morris getting interviewed in MWD’s room:

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GearSlutz.com syndicating some “Clone The Homeless”

Tuesday, September 25th, 2007

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Dig this.

Nifty! They’re gonna syndicate some of the episodes I do about recording technology.

I made a special GearSlutz intro, with Debra Jean crooning the info.

–Michael W. Dean
“Clone The Homeless”
Michael W. Dean’s podcast that remembers when sex was safe and music was dangerous. (Free, and no iPod is needed to listen.)

I’m speaking at the Podcast Expo

Monday, September 24th, 2007

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Howdy! This Saturday is me and Debra Jean Dean’s first wedding anniversary. Yay!

We’re celebrating by going to the Podcast Expo (Sept 28-30) in beautiful sunny downtown Ontario, California. I’m hella psyched.

I’m also speaking on a panel on Saturday, called Veterans of the Yahoo! Podcasting Board: What We’ve Learned These Past Two Years With Stephen Eley (bio) of Escape Pod, Matthew Wayne Selznick (bio) of MWS Media, Evo Terra (co-author of “Podcasting for Dummies” bio) of Podiobooks.com.

Debra Jean and I went last year, the day after we got married. While there, I said to her, “Hell, I’ll be speaking at this thing next year”, and like most pronouncements of mine, it came to pass.

I’m also speaking, with Debra Jean, at PodCamp, which happens Thursday, the day before the Expo really starts.

See you there!

MWD

WHEN A MICROPHONE IS BETTER THAN A ROLEX

Monday, September 24th, 2007

bockmicparty-026.jpg (Michael W. Dean with a Bock microphone)

Get episode 0052 of the Clone the Homeless podcast

Interview with DAVE BOCK OF BOCK AUDIO (part 1 of 2), recorded on Bock microphones. Recorded in the living room of Dave and Kirsten Bock.

Bock Microphones are becoming a name that people expect to see in the highest-end recording studios in the World.

bockmicparty-057.jpg (Dave Bock with a Bock microphone)

Dave Bock and Michael W. Dean yack, on two Bock microphones, about recording the Bomb first demo, recording the Bomb “To Elvis In Hell” record, 16-track two inch tape, Helios consoles, Trident consoles, Hyde Street Studios, iso rooms, PSW forum, Gear Sluts, Gear Slutz, Roy Thomas Baker, how to get a great guitar sound, Don’t Fear The Reaper, More Cowbell, Helios Creed, Sandy Pearlman on Bomb, the Chatterbox, reduced by Bill Laswell, Laswell vs. Ted Tepleman, Re-20 mics, Bock microphones, Bock audio, the mic that Garrison Keillor uses, the history of shock mounts, the history of pop filters, RCA, film booms, U-47s, U-49s, Frank Church, the history of microphones, the book “Recording the Beatles”, how to do great basic tracking, Wally Heider, Al Schmidt, Jefferson Airplane, Santana, Hendrix, Flipper, Dead Kennedys, Michael Ward, recording over the Internet, and the history of Bock Audio.

ALL PHOTOS FROM THIS INTERVIEW

Part 2 of 2 of this interview.  

Clone The Homeless podcast site.

Getting great sound with the Zoom H2

Thursday, September 20th, 2007

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(I’ve been getting a lot of letters about my H2 recordings, and asking how I make them sound so damn great. I decided to answer one here, so we could share the info.)

——————————————–

Hi Michael,

I’m a recent Zoom H2 owner (well, I guess we all are). I listened to your CloneTheHomeless podcast #50 after it was linked on the O’Reilly site, and then to #51 (which I got completely sucked into, to the point where I probably will listen to parts 2 to 4 even though I’m not really a podcast listener).

I’m really impressed with the audio quality you’re getting, and wondered if you could share your technique with me, i.e., what gain level you’re using, if you adjust beyond setting the L-M-H setting, and how far from the person speaking you’re holding the mic. Are you moving the H2 from you to DJ in #50? You both sound very clear…

I didn’t hear lot of handling noise in the casts, are you doing anything special to reduce that? I had thought that you could make a simple shock mount using PVC pipe (similar to this), though it would be less comfortable to hold.

Anyway, thanks for anything you’re willing to share, and thanks for the casts.

Alan Fairley (aka nolonemo)

=======

Hi Alan,

Hey man. Thanks!

So, I recorded all those casts with the gain on the High setting (of low/med/high), and the internal levels at 100 (out of possible 127). We didn’t use a shock mount, DJ and I took turns gently but firmly holding the H2 (on the included “lollypop” stick) in front of us while we walked, but didn’t pass it each time one spoke. We may have intuitively pointed it a bit to each other as we did, but I don’t remember doing that. We held it at about boob level between both of us, maybe pointing the front up at our mouths at a slight angle, about a foot from our mouths. This was with the front mics, the 90 degree ones. The Becky cast, since it was three people, was done with the back mics (the 180 degree ones).

When we had it on the table with Becky, and when we were walking with her, it was about two feet from everyone’s mouths. When it was on the table, we used the included table stand (as we call it the “H2D2 tripod”, lol).

I meant to put a folded up T-shirt under the H2 as a shock mount, but forgot. It didn’t matter much, I think the H2 engineers must have done a good job of internally shock mounting the on-board mics. Yay them!

I’ll try the T-shirt thing when I record the panel I’m on at the Pod Expo on Sept 29. (My first wedding anniversary! Yay! Debra Jean and I are going for four nights, to celebrate our love.)

I recorded both the Clone the Homeless H2 casts using the H2’s CD quality setting (44.1 k, 16-bit stereo WAV) using a 4-gig SD card. I didn’t do any chopping or editing to remove ums and ahs (which I DO do when we record at home in the studio using the good mics and the computer). I just ran it through the Levelator and then added the usual podcast intros and outros. Then encoded to 128 k stereo MP3 using AudioCatalyst.

I think that’s it. If you have more questions, post ‘em here and I’ll answer.

Rock on,

Michael W. Dean, King of all DIY media.

More BOMB that you’ve never ever heard.

Thursday, September 20th, 2007

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CLICK HERE TO DOWNLOAD the 38-meg high-encode rate 22-minute MP3 of the 1986 Bomb demo 17 Reasons Why. (Right-click to save.)

The four songs on this demo are:
1. Madness
2. I’m Not Restless
3. I Loved You, then I Died
4. Gigi

UPDATE: This was NOT engineered by Jay Crawford, we’re still looking for that tape (”17 Reasons Why.”)

I was confused in my memory of the recording (which is not too surprising, as I was pretty confused back then, AND it was a long time ago. D’oh!)

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This tape was the unnamed demo recorded and engineered by Dave Bock at Hyde Street Studios. It was executive produced by Kirsten Bock.

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This was a demo in preparation for the “Elvis In Hell” sessions.

Taser away

Wednesday, September 19th, 2007

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I love free speech, but “It’s not free speech if you steal it.”

If someone who is as much of a jackass as Andrew Meyer
http://youtube.com/watch?v=HgrFSHZfD1o

interrupted me while I was speaking, I’d taser him myself.

Update later: Article that says Andrew brought his own camera to the event, handed to a girl to hold so he’d be sure to get his actions on camera, and then egged the cops on before the part of the clip he uploaded to YouTube. And he has a history of jackassery and of uploading his exploits to YouTube for attention. (But then again, who doesn’t, these days?)

Program my PodBot

Wednesday, September 19th, 2007

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So, I have this idea….and I’m looking for a programmer (or programmers, or programmers and an engineer) to make it a reality.

I’m looking for someone who could figure out a way to archive massive amounts of data on the Internet, forever. Something like bittorent, but sort of somehow like BBS systems. I’m not sure….but someway to make sure my stuff is available long after my death by somehow distributing the data, and the database controlling it, over many servers, I think.

If I could explain what I’m really envisioning, and someone could make it, it really would change the world.

I told this to $30 Film School grad, and all-around smart guy, Christian Holmes. He said, “I unfortunately would have to say I am not really the man for the job. Not enough of a codemonkey. What I would say is that you could entrust your website and the management of it to someone you trust and ask them to pass it down similarly, then make all the links lead to an internal (on your same server) database that chooses a random “mirror” of your file (say you store it on 10 different public repositories of data) and if it does not find it there (the server went down, the company went out of business, etc) it moves on to the next server and flags it as a file needing to be moved to a new public repository to sustain redundancy (you follow?).

“Thus, if automated correctly (and once again, I’m not the one to do it) it would be a self-sustaining application, constantly maintaining redundancy.”

I told him, “I like it. And it kinda sounds like a chain letter, with computers!”

ANYWAY, if anyone on here can help make this happen, or knows someone who can, hit me up on e-mail.

–Michael W. Dean

—=

P/s, the term “podbot” that I’m using for this idea comes from here:

“When the universe collapses on itself and is sucked into a black hole, I imagine Michael Dean’s words will still be transmitting from an autopiloted pod-bot until millions of years later when the next cycle of life on the planet begins….” –Skip Lunch

How to get a job in Web 2.0

Tuesday, September 18th, 2007


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SO….I have a lot of time on my hands, and I also work a lot….on a lot of different projects. I spend many hours a day parked in front of a computer. I turn my laptop on at 2 PM when I wake up and it’s on until 6 AM when I go to sleep. And I’m pretty much on it, on and off, all my waking hours.

It’s sometimes hard to tell which of this time is work, what part of it is just fun, what’s promotion for previous projects and what’s research for future projects. Sometimes it all kinda blends together. I mean who can say that surfing links for three hours on Wikipedia or posting on some blog isn’t work, isn’t part of my job? It’s all good, it’s all learning, and everything I do helps everything else I’ll ever do in the future.

I recently posted some comments on the O’Reilly Digital Media site on David Battino’s post about the new H2 Recorder. (I have an H2 and love it.) David followed some of my links, liked some of my writing on Stink Fight and elsewhere, and contacted me with an offer of work.

I had no idea David was the editor of that site or that they were looking to hire one good, experienced writer with an extensive knowledge of digital audio, digital video and digital still photography, but I guess I fit the bill.

I signed the contract today, and I am now a writer for O’Reilly. The ironic thing is I’ve done work for them before. I edited DV Filmmaking Start To Finish, contributed to Digital Video Hacks and wrote an article for Make Magazine. I also did a presentation at Maker Faire in 2006. And David didn’t know any of this this when he decided to hire me. (O’Reilly is a big company, and there’s far too much going on for everyone to know everyone who’s ever done work for them.)

I really like working for O’Reilly and am psyched about this. They pay well, are respectful of their writers, and have a hip audience. I dig that.

One of the cool perks is that checks from O’Reilly have an etching of a tarsier on them. (Photo of a tarsier below, and also at the top of this post.)

So I guess the way you get a job in Web 2.o is be really good at what you do, but don’t look for a job. Mess around a lot on the Internet, post your thoughts freely, and be at the right place at the right time.

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The term “Web 2.0“  was invented by Tim O’Reilly of O’Reilly Media. –Do’h! See comments below)

Stink Fight - coming to a TV near you!

Wednesday, September 5th, 2007

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So, I’ve lived out in the sticks for a year now. The day I moved here I was worried “Will I be able to find enough stuff to keep busy?” and noticed on the local cable access channel a repeating ad that said “Get on TV! Make a show for free! Call this number for info!” I told DJ, “If they don’t stop taunting me with that, I just might….”

Well, I ended up keeping very busy with other stuff, but the other day I was bored and I called the number and found out what I needed to do to make a show. 12 hours later, I had a completed show on a DVD, and we delivered it today. I’m supposed to call this weekend to find out when it’s approved and when they’ll start airing it (I’m making one episode a month, and they’ll show each episode once a week for a month.) I’ll let you all know.

The show is called “Stink Fight - Radio on TV”. It’s spoken audio, some from Clone The Homeless, and also original audio created exclusively for “Stink Fight - Radio on TV.” It’s mostly Debra Jean and I, with a few guests. And our cats. The video is just still images of our cats. Many many many still images of our cats.

Our motto is: “Stink Fight - Radio on TV. Because what we say is more important than what you see.”

It will be on Time-Warner cable, and will be able to be seen on channel 25 in these cities: Westlake Village, Thousand Oaks, Agoura Hills, Moorpark, Camarillo, Calabasas, Santa Paula, Fillmore, Piru, Simi Valley and Newbury Park. I don’t know how many people will watch my show, but over a quarter of a million people will be able to if they want.

I’m getting the last time slot available.

I’ll let you know when it airs.

P/S - Anyone can get a cable access show anywhere in America, as long as the show doesn’t contain obscene material, and certain basic technical aspects are met. And you can produce your show at home, or use the facilities at the station for free or very cheaply. There’s cool gear at the facility where mine is going to be cast from. The cool guy at the station gave us the tour. Debra Jean laughed because I was drooling at the racks of gear.

Time is available for members of the community to offset the fact that private companies infringe on the public by routing cables through public and private areas. More info on the program is here.

I’m gonna make the “Wayne’s World of cats!”. (The cats part was partially inspired by the episode of South Park where the kids get high on Nyquil and make a show that just shows puppies, with cheesy music in the background. The show becomes very popular.)

By the way, Australia and Canada also have public access-type TV, also. It’s called “Community channel” in Canada, and “Community television” in Australia.

If anyone is interested in getting “Stink Fight - Radio on TV” shown on cable access in their area, please contact us.

–Michael W. Dean

My review of the new Zoom H2 Portable digital recorder

Friday, August 31st, 2007

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My new Zoom H2 Portable 2-Track SD Recorder
arrived today, and I’m totally psyched. I ordered this thing based on tech specs like three months ago, before the units actually existed. It shipped Monday, arrived today, and I love it.

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The Samson H2 lists for 200 bucks. Comes with a 512 meg SD card, which I immediately swapped out for a 4-gig card, which worked fine. I was a little worried it wouldn’t, as the tech info only said “supports up to 2 gig SD card”, and I’d e-mailed the company asking about support for 4-gig cards, and they never wrote back. (I’m using it with a 4 gb Kingston HC SD card. It works fine, even though it’s not on the compatible card list.)

FUN WITH AUDIO
The Zoom H2 is about the size of a pack of smokes and looks like an electric razor. It runs on two AA batteries, and includes some good built-in microphones. It can record in stereo or surround. I’ve only tried the stereo mode so far, and have only tried the on-board mics, haven’t yet tried it with my external Giant Squid mic.

(Later note….the on-board mics are great. Don’t need an external mic.)

I tried all the different compression settings, limiters, higher bit rates, etc, and basically settled for loving the way it worked with none of that on, set at 44.1 hz 16 bit stereo WAV file recording. CD quality in my hand. Fine for portable recording and podcasting. (I do two podcasts and have pretty discerning ears. I have a decent home studio with decent mics and get a good sound. The H2 sounds almost as good as the studio stuff I do in the studio.)

I do like that there are four mics, two front, two back, and you can use either pair, or all four, and use all four to record stereo, or quad (which can be converted into 5.1 later.) The front pair of mics record 90 degrees, the back pair record 180 degrees. And there’s a little LED to show you which mics are on.

The H2 was easy to use out of the box. I tossed the directions in a closet and jumped in (as I do with most devices…I take the directions out later when I wanna go deeper into the sub menus). It took me a few tries to figure out that you have to press TWICE on the record button to start recording (the first press is to arm it, so you can set levels), but I got it. I had to look at the manual to figure out how to transfer data from the item to the computer, but that was no problem either.

The H2 comes with a screw-on stick that makes a cool handle. With the handle on the bottom, and the included pop filter on the top, the H2 kinda looks like an ice cream bar or a big lolly pop. (photos of Debra Jean Dean by Michael W. Dean.)

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It also has a little screw-on table stand, so you can set it on a table. It looks like RsDs when you do. In that mode, we call it “H2D2″.

The controls are easy to navigate, the design is brilliant and I LOVE THE AUDIO QUALITY. This thing records CD-quality stereo WAV files, and sounds great. I took it on a 15-minute walking tour of my house, yard and to the post office. Edited the WAV, ran it through the Levelator, encoded to a 192 k MP3. Results are here for you to hear:
Clone The Homeless, episode 0049.
http://www.clonethehomeless.com/
direct 20-meg MP3 link:
http://www.askdollie.com/cth/Episode-0049-CloneTheHomeless.mp3

MEW!

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You can also set it to record directly to 16-bit 44.1 hz MP3.

CONCLUSION: I’ve wanted something like this my whole life, and this thing delivers. I give it a ten out of ten for performance and price.
The H2 is my little friend. I’ll whisper my secrets to him and he’ll paint my thoughts on the ether. IT SOUNDS GREAT!

All in all the H2 is a great podcasting tool. And remember, server space is cheaper than a therapist. Yay! Compulsively disclose! Dig it!

–Michael W. Dean mwd-h2.jpg

Your audio expertise, please?

Thursday, August 30th, 2007

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I’ve uploaded two short samples below, me talking with my new Rode NT1 anniversary model microphone!!! YAY! NEW GEAR!

One sample is with the ART MP tube pre amp, one without.

I think the preamp one sounds a little creamier but has a little tiny
bit of 60 hz hum I can’t get rid of, even using the power conditioner.

Which one sounds better to you?
Do you think the tradeoff is worth it?

Short sample with preamp:
http://www.askdollie.com/temp/Rode-with-PreAmp-Levelated.mp3
Short sample without preamp:
http://www.askdollie.com/temp/Rode-with-NO-PreAmp-Levelated.mp3

Please post comments below.
Thank you,
MWD

(By the way, we used the new Rode mic, and the tube preamps, on episode 0066 of SAC, if you wanna hear a longer sample of this test without the control group.)

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(above “tail in search of a cat” pix of Peanut with the Rode is printable poster sized.)

We’re All Gonna Die!

Monday, August 27th, 2007

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Or “Should We Worry About the Large Hadron Collider?”

A hadron is a subatomic particle. A collider is an underground racetrack that will propel this particle to near-light speeds. Still under construction in Geneva, the Large Hadron Collider is going to be the biggest particle accelerator in the world, with a circumference of 17 miles. Scientists hope to finally isolate the “Higgs boson,” a theoretical particle dubbed “the God Particle,” whose discovery could solve many mysteries of the physical world. Scientists believe this elusive particle could reveal what matter really is.

So why should we be worried? According to the venerable Wikipedia and the Lifeboat Foundation, a technophobe watchdog group, “People both inside and outside of the physics community have voiced concern that the LHC might trigger one of several theoretical disasters capable of destroying the Earth or even the entire Universe.” Apparently, when you energize particles to such high speeds, there are some safety concerns, namely the possibility of creating micro black holes and strange, unstable matter. The chance of this happening is infinitesimal, but not zero. I think the inadvertent destruction of our world would be a major bummer, not just for the Earth, but for the whole Universe. So until the Spring of 2008, we’ll keep our fingers crossed. Whether we unlock the key to the universe or destroy it, I say, “Let the colliding begin!”

By the way, the unofficial particle acceleration competition between CERN and Fermilab is the subject of the upcoming documentary film “The Atom Smashers.”

Sex life of the light-emitting diode

Sunday, August 26th, 2007

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So, what do those spare components get on about when you’re not looking? What else?

While I do love the girl-on-girl piece (check out the adorable strap-on), my fav has to be the four-way - those filthy, filthy diodes!

Link

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My settings for that ART MP tube pre-amp

Saturday, August 25th, 2007

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(more $30 Pre-Amp School…..continued from How could we BE any dirtier?)

Symon Michael bought one, at my suggestion, to use on his saxaphone. Here’s what I told him works for me:

Let it warm up for a half-hour or more before recording with it.
And the settings I use are:

–input and output knobs, both at 12 o’clock (straight up)
–20 db gain: in (on)
–P-Pwr: in (on) (Has to be on for condensor mics. Should be off for dynamic mics, and MUST be off for ribbon mics.)
–Phase Reverse out (off) (Should be off, unless you have an out-of-phase issue with another mic.)
–OPL: in (on) (This is limiting that keeps you from being too loud.)

I use the XLR mic jack in for the mic, and use the 1/4″ jack out to my mixer (the XLR out could blow a mixer or computer.)

MWD

rode.jpg p/s I just ordered a THIRD ART MP tube pre-amp. It’s to go with the RODE microphone I ordered last week. That way when DJ and I have guests in the studio, we’ll all have a nice condenser mic with a nice tube pre-amp to dirty and warm us up before feeding into the digital Über-Purity of my perfect happy snug little kick-ass laptop computer. The Rode will be a nice addendeum to my good-but-budget mic closet, already including two MXLV63Ms:  mousetwo.jpg