Archive for the ‘MWD's Cool Stuff’ Category

Sweet song for my sweet, departed daughter.

Tuesday, October 23rd, 2007

mewithmicinfield.jpg
Song for my sweet, departed daughter.
http://www.youtube.com/watch?v=RqZNMO3oIdc

Song I sang for my daughter, Amelia Laine Worth shortly after her death from Leukemia last year. Haven’t been able to listen to this song I sang it in memory of my daughter, Amelia Laine Worth shortly after her death from Leukemia last year.

Finally listened to it again yesterday. And today I went up on a hill, recorded another track of vocals. Wife held the camera, I edited the video. I like it a lot. Made me cry, and that made me feel better.

JESUS, I miss my daughter.
—-
Song: “Hallelujah” by Leonard Cohen.
Arrangement: Jeff Buckley.
Arrangement: Michael W. Dean.
Vocal: Michael W. Dean.
Drums, guitar, bass and organ: Cliff Truesdell.
Pedal steel guitar: Charlie Kramer.

For those of you in China, or who just want a better-looking encode than the YouTube, here’s the 85-meg file. (right click to save.)

Commercial for heroin

Sunday, October 21st, 2007

cover.png

I recorded this song ten years ago. The production quality is horrible (it was one of my first attempts at computer recording, and I also didn’t have a good mic or digital input for the computer), but it’s pretty nifty anyway.

I can’t remember if I played guitar or it was my buddy Mike. Mike?

MWD

Nigerian e-mail scam (1950s version)

Saturday, October 20th, 2007

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A couple years ago my gave dad me the deed to two parcels of land in Kenna, New Mexico (Roosevelt County). This land is fairly worthless in a monetary sense. It’s assessed at a total of 1200 bucks. I pay 7 dollars a year tax on it. I’ve never been there.

But the story behind the land is priceless.

The two lots belonged to my deceased great uncle, John Eddy, of Jamestown, New York (where I went to college.) John died in the 60s. He got the land in some oil scam that ended up taking a lot of money from him.

I knew John’s sister, my Aunt Ida, who was sweet and senile when she stayed with us, when she was very very old and I was very very young. I clearly remember her putting envelopes in the freezer, thinking she was mailing letters to her dead brother.

She influenced me in a way. She was often very “spacey” (her words), and made me feel that it was OK to think and say strange things.

Anyway, a company called The Dalies Oil Company sold land and stock to war vets (among others) like my uncle. Then they milked the “investors” for their money in frequent requests for continuing payments to “develop the land and drill for oil.”

johneddystuff-005.jpg

My dad also gave me about ten pounds of wonderful papers connected with this land, stock certificates, newspaper clippings, maps, and much of the correspondence between John Eddy and this Los Angeles-based scam company.

johneddystuff-001.jpg

Among the papers are hand-typed postcards that the company sent each month to the “investors”, talking about how well the oil search was going, how many feet down they’d drilled, what new equipment they needed to purchase, the frequent snags they ran into, how much more money they needed to complete the important work, and of course, how they were still absolutely positive they were going to make everyone rich.

The notes are so over the top that I doubt any actual drilling was ever done.

I don’t know what I’m ever going to do with the land, and have had no plans for the huge pile of musty documents. I’ve thought about writing a sort of docu-drama movie and using my great uncle’s misfortune at the beginning of the oil boom as a parallel for what’s happening now as the oil starts to run out. But probably not.

My wife and I did write a cartoon script (called “The Plump Buffet”) that will most likely never be produced, that takes place on the land. It’s about a sex cult run by cats.

When I phoned up the Roosevelt County clerk to find out how to transfer the title from my dad to me, she seemed to think it was hilarious that a father in New York was giving this worthless New Mexico land to a son in Los Angles. I think she figured us both for city slickers. I had several calls with her and she always seemed pretty jolly about the whole situation.

I asked her what I’d have to do to build out there. She said, “Well, first you’ll need to scrape the land with a backhoe to get rid of the rattlesnakes.” I asked her what permits I’d need. She laughed and replied, “You don’t need permits. You can do whatever you want out there. If the neighbors don’t like it, they’ll just shoot you.”

The population of Kenna proper is “estimated at less than 25 people.”

googlekenna.jpg (Google satellite image of Kenna)

John Eddy also owned oil-scam land in Valencia county, New Mexico that actually ended being sold for a lot of money to build a mall. Unfortunately, the lazy bank my dad put in charge of paying the taxes defaulted and my family lost that land.

This oil scheme bilked John Eddy out of a lot of money, a few bucks at a time, over a decade.

No oil was ever found. The whole thing reminds me of a Nigerian e-mail scam, but from the 1950s. And John Eddy ended up in a mental hospital.

My brother James pointed out “These people were able to continue this scam, simply because in those pre-commercial airplane days, no one went there to check on it.”

OK….Here’s the really fun part. I got an e-mail the other day from an old friend named John Murphey. Cool cat, we played music together in the Bay Area right before I formed Bomb. He found me after 20 years, while searching info on the H2 digital audio recorder. He plans to get one to use for recording interviews on his job, which just happens to be as a state historian for New Mexico.

John Murphey wrote:

I startled when you mentioned John Eddy; I thought you were related to THE JOHN EDDY, the big-shot cattle baron who once owned half of SE New Mexico. Your life may have been a little different if your great uncle was cattleman, John Eddy. Land/oil scams were big in the 1930-50s. You are actually the second person of our age to tell me they own worthless land in Kenna. Yeah, I’ve been there and helped the community write a history on the sole surviving commercial building - the grand Midway Service Station. An extract of that narrative appears on the State Historian’s web site:

http://www.newmexicohistory.org/filedetails_docs.php?fileID=21168

Do you have the exact coordinates or lat/longs for the land? Does it have an access easement? Can I camp there? Send me the screenplay.
Attached are some pics I took of Kenna’s Hi-Lonesome landscape.

img_5649.jpg

I wrote him back:

I forgot to tell you the best thing in the collection of John Eddy papers that I have. A big fold-out map of the ground plan for Kenna, with lot numbers, and street names like “Oak” and “Elm”. It looks like a map of an existing town, which may be what they were telling people on both coasts as they sold them the dry swampland.

Also, THE John Eddy (rich cattle dude) was no relation, but my dad says my great-grandfather invented the cattle chute, and some neighbor stole the idea under him and patented it.

—-

I have wondered what I’m going to do with the two lots. I registered the domain name TimeShareFromHell.com two years ago, but let it expire this year.

Maybe I’ll just content myself with being a proud member of the landed gentry, keep mailing in my seven dollars a year in tax, and know that when California starts falling into the sea, me and the wife will have a place we can go camp.

—-

So the upshot is that John Murphey asked if the State of New Mexico could have my John Eddy papers. As nifty as the collection is for me to have, I’m probably going to donate it, as it’s a lot more useful in the hands of a state historical society than in a box the back of my closet.

Link to a bunch of photos and scans from the John Eddy file.

Post about why I love to edit audio

Friday, October 19th, 2007

http://tech.groups.yahoo.com/group/podcasters/message/33326

(The text at the top is Todd’s post, my reply is below.)

Infested with squittens!

Thursday, October 18th, 2007

bugs-007.jpg(wish I could do this)

We love out little fluffballs, all three of them.

bugs-015.jpg

But the two youngest ones seem practically feral at times. I feel like we have raccoons, not cats. They get into EVERYTHING.


bugs-014.jpg

I’ve tried to get a photo of them in the sink, licking spoons (which is them at their most raccoon like), but they always run away when I do. But here’s a bunch of pix of the little squits taking over the house as only they can.

picture-010.jpg

We have three cats, but sometimes I feel like we have 12 or 15, because they run from room to room so much that it seems like there’s ALWAYS three cats in EVERY room.

allcats.jpg

Skip Lunch, Howie Kafka, me, and the Internet

Thursday, October 18th, 2007

skip-and-tom-cruise.jpghowierat.jpgmwd-red_feverdream.jpg

Just got off a three-way Skype call with Howie Kafka and Skip Lunch. Still on the line with Skip. Howie’s in Germany and Skip’s in China, I’m near Los Angeles. We remembered something I’d forgotten: I introduced them, and I introduced Howie to the Internet. Howie said he had a computer but no modem and I sent him a SNAIL MAIL letter in 1996 and said “You’ve GOT to get a modem and check this shit out!” He did, then I introduced them to each other and they’ve been best friends forever, ever since.

mew. Awww…..I love it.

We had fun on the Skype three-way and were sharing links and music and all that stuff and had a realization: This is what we dreamed of as kids…..talking over the miles with our buddies, while living our lives in amazing places.

Rock the fuck on, man.

How come our podcasts sound so great?

Thursday, October 18th, 2007

soundforge.jpg

studio.jpg

People often write and ask me:

>How do you get your shows to sound so good? They sound like NPR or something, yet you do them at home…What’s your secret?

Well, grasshopper, I will tell you what I know…..
It’s all here: http://www.askdollie.com/PodGear.htm

Photos of our studio here.

Ten dollar discount on DreamHost’s already inexpensive web hosting

Thursday, October 18th, 2007

computer-money.jpg

(And now, a word from our sponsors. US!)

We have an AMAZING web host: DreamHost. They offer great service, a LOT of monthly bandwidth (TERABYTES, not gigabytes) and a large amount of server space, CHEAP. AND, the amount of server space and throughput increases every month you use them!

HOW TO GET THE DISCOUNT:

GO TO DREAMHOST. SIGN UP. Then enter promo code: DEAN when you sign up and you’ll get your ten dollars off.

I do get a little free time if you enter DEAN

However, I would not endorse a company I didn’t use and love.

(Short MP3 of great little audio commercial we made, with cool music I made. Feel free to use anywhere.)

Gnu Stink fur Deng - and the future of the Dean Foundation

Tuesday, October 16th, 2007

tn_chinglish6.jpg

(This is a response to “…Living on Chinese ROCK! [pt 4 on “Skip Lunch on/in China”]“), but I thought I’d start a new stink, as I’m sort of splitting this into a different stinky direction:

Stephen Deng Says:

“…..Oh, Stinkfight! so does mr.Cheetah makes sound prescription (Why you #3). To constitute funny happy blog can try your best on “life style” exactly, e.g. gear, self-promotion, BDDSSM…..”
—-

Michael W. Dean replies:

I love this passage, Deng. Your north-of-the-border yankee chinglish makes for some unintentionally poetic and random beauty. (Sometimes I wonder if you, and maybe also Mr. Denisson, are not in reality Boston-born PHDs laughing while running drunken ramblings through “AltaVista - Babel Fish Translation” into Chinese [or Greek] and back to English again, just to pull my leg.)

Yet your words contain more truth than those of many who were razed hear. You see, I make a lot of “Notes to myself for things to do in the future.” Some end up as books, songs, films, software programs, TV shows, photos or blogs loved by thousands. Many others end up in my trash.

But last night I grabbed a napkin and wrote a quick yet important outline, one that will be realized and affect the world in a big way: “Mission statement for the Dean Foundation“, ideas for the non-profit I will start with my millions near the end of my life. The main focuses of this tax-free organization will be:

Mission statement for the Dean Foundation:

1. Preserve and spread all the art of Michael W. Dean (which may or may not include the PodBot)
2. Help people who rescue, care for and spay/neuter cats.
3. Help young starving artists by giving them one-time grants to pay their rent for three to twelve months.
4. Help spread understanding for compassionate/healthy BDSM.

See, Deng, you got Dean figured to a “T”!
Keep on stinkin’ on.

–Xenophobically yours,

Michael W. Dean (Master of cats, electrical gear, art, BDSM, and self-promotion.)

BE-A-FAG

Monday, October 15th, 2007

Download the 1989 Bomb song BE-A-FAG.

(note, the chord progression, AND the entire lyric of this song, is BEAFAG.)

Was only on the cassette of “Happy all the time” EP, wasn’t on the vinyl. Is a rare track from 1989.

MWD

Bruce LaBruce stole from me so I evened the score

Monday, October 15th, 2007

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Slightly funny ancient punk history, and gossip….

In 1990 Bruce LaBruce put the song “Be A Fag” from my band Bomb on his JD’s zine cassette comp “J.D.s Top Ten Homocore Hit Parade Tape”, with permission. (Tom Jennings had written Bomb up in his “Homocore” zine, and Bruce found us from that.)

However, Bruce later used the song without permission, during the end credits of his film “No skin off my ass.” When I found out I asked him if we were gonna get any money (The film made a good bit of scratch in home VHS rental and theater showings). He said, “Michael, money in film is like sex with a gay man. If you don’t get anything in the front, you won’t get anything in the rear.”

I took that line, changed “film” to “music” and used it in my first novel “Starving in the Company of Beautiful Women”, without attribution.

If he’d simply asked “Can I use the song for free?” We would have certainly said yes. I just thought it was a little suspect that he used it without asking, and then was so damn caviler about it.

It’s the only time I’ve ever out and out stolen a line from anyone, but I figured I was due. We’re even, and I got a good story out of it.

Carry on.

–MWD

Rock video for “Alien Symptom”

Sunday, October 14th, 2007

Video HERE: http://www.youtube.com/watch?v=InugVk1bxxM

djhat.jpg

(Debra Jean Dean on the set of “Alien Symptom”)

Song: “Alien Symptom” by Michael W. Dean (inspired by Helios Creed)
Story:
Michael W. Dean and George Earth
Camera:
Michael W. Dean and George Earth
Actors: George Earth, Debra Jean Dean, Becky Haycox,
Michael W. Dean.
Filmed Oct 14, 2oo7 at Paramount Ranch (Where they shot “Dr. Quinn, Medicine Woman”)

Oh….and I took Skip Lunch’s advice on where to fade it.

george1.jpg

George Earth relaxes between takes on the set of “Alien Symptom.”

George is the punk rock Marlboro Man (who smokes “American Spirit” ciggies).

—–

Making-of pix (c) Becky Haycox:

http://www.flickr.com/photos/hambox/sets/72157602433416584/

….for Helios Creed

Saturday, October 13th, 2007

h.jpg(Helios checks his e-mail. Photo by Michael Dean)

I wrote a song this week called “Alien Symptom.” It’s very much in (my interpretation) of the style of my friend/hero/influence Helios Creed. Helios heavily influenced Ministry, Butthole Surfers and Flaming Lips, among others.)

Download the MP3

I played drum loops, bass guitar, keyboards, and sang. Charlie Kramer played the guitar (over the Internet, and e-mailed me the files.) Mix is still a little rough, but I like the song and the singing.

I’ve never really tried to write / play / sing / produce in someone else’s style, but this came very naturally, and I like the results.

I’m especially proud of the lyrics. And they’re are about being scared late at night and contemplating my own mortality, something I tend to do occasionally between, oh, 2 AM and 6 AM or so, especially when the wife’s asleep and the cats are being crazy and it’s very very quiet.

(Video we made for the song is here: http://www.youtube.com/watch?v=InugVk1bxxM )

Here’s the lyrics:

Alien symptom -

feed the parasite

alien symptom -

complete the path tonight.

 

Feed the little parasite

complete all the paths all right.

 

Neuro-illogical restructuring

dressing room Mabuhay gardens

we shared a glass of sleep.

 

Alien symptom -

spaces between the light.

alien symptom -

Forgive the fortune of the night.

 

Access interrupted for

authentication protocol

speak to me

in silent terr0r-bytes.

 

File is offline

attribute missing

isolation modules in

synaptic silicon.

 

Feedback loop of

late-night protocol

crystal membrane landscapes tell the truth

in forgotten pentathol.

My report on the pod expo for O’Reilly site

Thursday, October 11th, 2007

Article is here: http://tinyurl.com/3c339j

A few of my photos got cut for length:

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caption: “Me at book signing: Buy my book or I’ll smack you with this microphone.”

—–

pmdfriday-029.jpg

caption: “I’m not sure if this was a boy or a girl, but after about four beers I’d be following it around. Which is part of the reason I no longer drink.”

—–

DJ’s stunning large photo (makes great wallpaper) is getting used on the front page, but here’s the big one:

convention.jpg

Note. I invented a word poduine and it’s in this article.
The word “poduines” is not on the Internet at all. Let’s check in a month, see if it catches on.

The word “poduine” exists only five places on the Internet now.
What language is this? Regardless, it’s certainly not the context I’m using.
http://www.google.com/search?num=100&hl=en&safe=off&q=poduine&btnG=Search

Stink Fight TV - episodes up on YouTube

Thursday, October 11th, 2007

brighthedgie.jpg

part of episode one:

http://www.youtube.com/watch?v=_QKy-_jVvRA

——-

All of episode two (four segments, starts here):

http://www.youtube.com/watch?v=4g1jgnPkbXc

Cool gal who loves “Clone The Homeless”

Thursday, October 11th, 2007

 catyard.jpg

and saves cats:

http://www.youtube.com/watch?v=gO5IcSrDg_g&watch_response

The circle of (Internet) life

Wednesday, October 10th, 2007

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I’ve actually gotten a number of fan letters bemoaning me “shutting down” kittyfeet.com, the sprawling pop culture / Michael W. Dean ego site I’ve run since 1996.

The site actually has over 1400 pages and 6245 files on it now, most of them hand-crafted by me. Kittyfeet has no central navigation scheme, and no site map. The best description I’ve heard of it is some blogger who said “Kittyfeet.com is the Winchester Mystery House of the Internet.”

The passing of Kittyfeet.com isn’t a bad thing, it’s a natural thing, like tossing out a beloved T-shirt that has served you well. In fact, I tossed out my favorite red shirt (pictured in better times, above) today. I was a little sad to do so, but the shirt was nothing but holes, had served me well, and was beyond sewing any more. And unlike the shirt, Kittyfeet.com is archived. It’s all still there. I’ve just moved on to other things (like this blog, like my podcasts, like live appearances, and my books and films. And like whatever I come up with next. Stay tuned, kids.)

Below is an e-mail from a guy who got hooked on Kittyfeet.com when I was temping in the cubicle next to him in San Francisco in the Web 1.0 boom, around 1998. I’ve gotten a bunch of mail like this.

MWD

=======

 

Michael,

I’d be amazed if you remember me, but I wanted to drop you a quick note to say I am saddened to see kittyfeet.com go away. I realize we all must grow and change and evolve–and if this is what you choose do, it’s a great thing. As many people surely do, I’ve checked in on your life through the website from time to time—and always loved it–probably for no reason other than that it was unique, like you–and that gave me an occasional weird sense of comfort in all this life madness.

I hope you’re well. Good luck in you endeavors!!

Dave Bratton

(Worked with you a brief while many, many years ago while you temped at the SFCVB)

Hey! I’m a cartoon!

Tuesday, October 9th, 2007

 george.jpg

I get mentioned in George Earth’s new Cheep Comix number 3. (page 23.

I love this comic, even though all its characters are in serious need of psychotherapy.

(Download 15-meg PDF here.)

This hard drive will extend my lifespan

Tuesday, October 9th, 2007

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UPS just delivered got my new Western Digital 500 gig external FireWire drive. I can backup MOST of everything I’ve ever done on here. Let’s call this thing PodBot 1.0.

I’m psyched. This thing only cost $167 (on NewEgg. I love NewEgg.com. They have great prices, and since they ship from nearby Orange County, the stuff arrives overnight, even when I pay only for the cheap three-day UPS shipping.)

I can remember ten years ago seeing a one-terabyte drive array (that’s twice the capacity of this one). It cost 100,000 dollars, was the size of a fridge, and nurds at the trade show were standing in front of it touching themselves and salivating.

I love that the tools of my trade are getting so damn cheap. It’s a great time to be alive.

mewwwwwwwwwwwwhhhaaaaaaaa

Monday, October 8th, 2007

tiredkitten.jpg

I’m on Ativan. I like it. Free high for medical reasons that does not count as a relapse.
It’s prescription, I’m headed in for periodontal work.

I’ve loaded some Pink Floyd on my pod.

–MWD

I write the movies that make the young men rock

Sunday, October 7th, 2007

mudletter.jpg

I get a lot of fan mail, and I dig it all. Something I like a lot about this one from this kidd in Australia. Short and sweet:

Hey Dean
your film (D.I.Y Or Die) inspired me to do this: Mud Letter Pie.
Thank you for an inspirational journey.
Tours true and surely,

Jesse Kidd.

Here’s his very cool band, Mud Letter Pie. He plays everything:

http://www.myspace.com/letterpie

I’m so proud of him.

Gear Porn Rag

Saturday, October 6th, 2007

 newcamerayay-067.jpg

“Gear Porn Rag” 4-meg MP3. Quick song I did in Sony Acid. It’s trip hop, jazz, and me checking microphones.

Oddly satisfying.

Zune store?

Friday, October 5th, 2007

 no_drm.png

Microsoft is starting a Zune online store, to compete with the iTunes store.

A guy came on the Yahoo Podcasters board yesterday and announced he had been hired by Microsoft as the podcaster leiason for the Zune store. His post is here, and you can follow the thread by scrolling down to the bottom of that page.

Most people replied to him with some variation of “COOL! How do we get our podcasts on the Zune store?” I replied with a bunch of questions. Someone snipped back at me, and I posted a reply that sums up how I feel about this.

My last post (as of right now) on the thread, is this:

Steve,

I’m not being suspect of the Zune guy, I’m being suspect of the Zune,
which the Zune guy has chosen the role of representing.

I can’t really say “Hey man, how come you don’t play fair?” to a Zune,
because it’s a thing. It won’t care. But the Zune has, at least in the
past, behaved in a way that would make me angry, were it a person. And
the Zune guy has taken on the job of repping that *thing* to us, so
that’s the reception his job position is going to get. And not just
from me.

I’m not saying I’ll never put my stuff on the Zune store, I’m just
saying I have some questions that I’d like answered before I hike up
my skirt and say “Oh, newly minted major digital media force, how may
I beseech thee?” And I think other content creators should consider
their content important enough to ask some questions too, other than
just “How do I get my stuff on Zunes?”

I am not of the mind that “Microsoft is evil”, in fact, I love, and
use, many of their software products. I am not of the mind that “all
corporations are evil”, I basically feel that in the computer realm,
at least with the two major players, they’re both about equally as
benignly irksome. Apple maybe more, because they tend to paint
themselves as fuzzy Berkeley hippies, which hasn’t been the truth
since their inception.

I just wanna know how the Zune is gonna deal with and treat this
wonderful media we’re making in our bedrooms. Is it going to be nice
to it and play fair? Ya know?

For instance, if I release a podcast with no DRM (digital rights
management), and under a Creative Commons license, is it going to be
able to be freely beamed from one Zune to another, or will it still
lock up after three days, three plays (or partial plays) or whatever.
Will that DRMed file be infinitely DRMed down the line as copies are
made?

Anyone thinking I’m being too suspect of this whole thing should read
this:
DRM criticisms of the Zune
http://en.wikipedia.org/wiki/Zune#Digital_rights_management
and
Microsoft Zune will violate Creative Commons licenses:
http://www.boingboing.net/2006/09/15/microsoft-zune-will-.html

and any of thousands of other articles you’ll find if you search
“Zune” + “DRM”
http://www.google.com/search?num=100&hl=en&safe=off&q=Zune+DRM&btnG=Search

I think podcasters should care about their content, and how it’s
treated, always. Even if you’re giving it away for free, there are
always more important issues than just “Oh, someone’s going to make me
more visible? Where do I sign up.”

–MWD
“Clone The Homeless”
Michael W. Dean’s podcast that remembers when sex was safe and music
was dangerous. (Free, and no iPod is needed to listen.)
http://www.clonethehomeless.com

tsacdop.com

Friday, October 5th, 2007

tsacdop.jpg

just got it.

http://www.tsacdop.com

It’s “podcast” spelled backwards. I’m rolling it over to CTH until I figure out what to do with it.

(Thank you Mike Kelley for the phonics. When most people leave crazy shit on my answering machine late at night, I ignore it. When Mike does it, I register it. )

MWD

My cool new gig (O’Reilly writer)

Thursday, October 4th, 2007

oreilly.jpg

Well, I started my new gig as a writer (and occasional audio journalist and producer) for the O’Reilly Digital Media site. I dig it.

DJ and I went to the pod expo and had a blast. I recorded some audio of it, and it’s now edited and up on the site.

It was a good trip and this is a good gig for me. I haven’t spent a night outside my house since my daughter’s funeral (11 months ago), and I think I’m off my kick of “I’m not leaving the house ever again.” I was a little nervous the first night of the expo for this reason (still stuck in homebound mode), but I think going out and having a bunch of fun outside the nest was really fun.)

=====
http://digitalmedia.oreilly.com/

permalink:
http://digitalmedia.oreilly.com/2007/10/04/dmi18-inside-the-new-media-expo.html

Direct MP3:
http://cachefly.oreilly.com/digitalmedia/2007/10/dmi19-new-media-expo.mp3

RSS for Digital Media Insider podcast:
http://www.oreillynet.com/pub/feed/72?format=rss2

Includes interviews I did with: Tim Bourquin (founder of the Podcast
And New Media Expo), Mignon Fogarty (Grammar Girl podcast), Tee Morris
(co-founder of Podiobooks.com / co-author of “Podcasting for
Dummies”), Stephen Eley (Escape Pod podcast), Tim Street (French Maid
TV vodcast), Michael Butler (Rock and Roll Geek Show podcast on
Podshow.com), Evo Terra (co-founder of Podiobooks.com / co-author of
“Podcasting for Dummies”), Roy Harper (Marshall / MXL mics), Matthew
Wayne Selznick (Writers Talking podcast, founder MwsMedia.com, author
“Brave Men Run”) , Michael W. Dean, Joel Mark Witt (MarylandZoo.TV
vodcast), and Father Roderick Vonhogen (The Healthy Catholic vodcast.)

=====

(Below: an unrelated photo of O’Reilly’s mascot, the Tarsier. I think these things are creepy. They look like little people. But don’t mind cashing checks with a Tarsier on it, and O’Reilly’s checks DO have a drawing of a Tarsier on them.)

philippine-tarsier.jpg

DEAL MACHINE “The kegger band for online universities.”

Thursday, October 4th, 2007

 neo2mwd.jpg

Last year I started three podcasts. Clone The Homeless, SAC and Deal Machine. http://www.dealmachine.org/.

The first two are still going. Deal Machine Podfaded.

Clone The homeless and SAC are still doing weekly episodes of me and the wife and our little friends yacking. But do not lament the fate of poor faded Deal Machine, it served its purpose.

Last year I got seriously into computer recording. I’d been recording audio on computers since 1996, which is shortly after it was possible to do so, but had never really gotten good at it (or even owned a decent microphone) until last year. I’d made a lot of great music before, but it had all been done in studios, recorded to 16- or 24- track tape, and was engineered by people who spent their lives learning about audio recording.

Deal Machine was my music podcast. My virtual band. Or as George Earth said, “The kegger band for online universities.”

I’d record bass, drum loops and vocals, upload the songs, and my buddies in different cities (and countries) would record guitar to that, e-mail me the guitar tracks, and I’d mix it. The podcast linked (and delivered via RSS) the rough mix, then the final mix. It was a fun thing, you got to see the music form.

I basically did it to help me learn to record, to remember how to sing and play bass, and to give me something to do creativly to help process my daughter’s death. I think that Deal Machine served its puropuse. It’s no longer being updated, but there’s some damn fine songs on there.

Check out “Ode To A Cat” (which my friend Bob Bartosik played sax on, and George Earth played guitar on, both over the Internet.)
Then check out the rest of the songs.

Enjoy!

Gorgeous kitty pix

Wednesday, October 3rd, 2007

We got a new Canon A460 digital camera today. (We’re giving away our old camera, if you want it, e-mail me. The old one found a new home already.)

The new camera pretty much kicks ass. And it was really inexpensive (like $115 with shipping.)
It takes damn fine pretty kitty pictures. Here’s a WONDERFUL photo DJ took of Fuzzy:

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And you can click here for the 3-meg zip of 8 wonderful kitty-and-microphone pix click here to get the 3-meg zip of 8 wonderful kitty and microphone pix. They make great computer wallpaper, and you can feel free to use for anything. Credit Debra Jean Dean.

And this little one, below (that I took, with the old camera) makes a great center (not tiled) computer desktop.

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Below is a thumbnail to another (large) wallpaper from the same session.

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Bait-and-switch “$30 Film School” bootleg on eBay

Tuesday, October 2nd, 2007

A friend just wrote me and told me that he purchased an item on eBay called “Film School Low Budget eBook Guide” from a scumbag seller with the user ID: cr3ativo

The eBook turned out to be a bootleg of my “$30 Film School.” And this seller says they have “99 available.”

This user appears to be based in Australia. Anyone know who it is? He’s also selling a bunch of bootleg eBooks under fake names and covers.
I don’t mind so much if people give away copies of my stuff, but I think the idea of someone making money of it AND duping the users is icky. They made up this fake name and a fake cover (with a picture of an Academy Award, which is TOTALLY antithetical to the mission statement of my book.)

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And then they used my own ad copy:

“You don’t need big bucks to make great stuff. Computers have made it possible to make great films on very little money. They say that whatever effects the big studios have are four years away from the desktop, that is, four years away from your computer desktop. Big effects at low prices are here now. But great effects aren’t what make a great movie. Neither is money…..”

from my book in their fake pitch.

I turned them in to eBay as selling bogus stuff.

=====-

FOLLOW UP ON OCTOBER 3rd:

eBay has removed the listing:

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But not the user. User is still on there, apparently ripping off other authors and buyers.

But the guy who notified me about this  scam, who got scammed by buying the book, has posted a comment about it on the seller’s feedback page:

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And you can’t get those removed without going through eBay to do it.

976-BeckyChat! (2)

Tuesday, October 2nd, 2007

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DOWNLOAD Episode 0053 (54 megs, 60 minutes)

Michael W. Dean and Debra Jean Dean have a chat with our new little friend, Becky Haycox. (Part 2 of 4) (And yes guys, she is cute and single!)

They all drive around Ventura, California, go have dinner together, talk about sexy sailors, polyamory with guys who look great in a skirt, drugs of the nasal variety, Kathy Griffin and the Catholic Church, meth-takin’ bike-ridin’ Christians, pinking up, Danny Plotnick, getting clean vs. dying, traveling Europe with your film, Miles Montalbano, commemorative tattoos for dead relatives, kinderwhore punklettes, dealing with a death in the family, make love not war, The Fabulous Furry Freak Brothers, “Pants a gangsta day”,

Episode is from Michael W. Dean’s podcast that remembers when sex was safe and music was dangerous. (Free, and no iPod is needed to listen.)
http://www.clonethehomeless.com

Entire episode recorded on the Zoom H2 portable handy recorder.

Below. Photo by Becky of the “Give peace a chance” girls we encountered.

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I love my wife!

Friday, September 28th, 2007

And she makes me look SO good!

Debra Jean Dean took these two pix of me today at the Podcast expo. (With the new microphone I got her as an anniversary present, our anniversary is tomorrow!)

These pix are SO damn good. That’s what happens when the photos are taken by someone who sees ya through the eyes of love!

Yay. They’re gonna be my new promo pix.

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Click photos for high rez. And feel free to use these two photos. Photo credit: www.DebraJeanDean.com

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Pix of DJ and me, just fur kicks!:

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Podcast expo, day zero

Friday, September 28th, 2007

MWD interviewing Grammar Girl:

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Howdy! Me and DJ are at the Podcast and New Media Expo in Ontario, California. It’s a multi-purpose trip for us. We wanted to go, and also, I’m speaking here on a panel on Saturday. And Saturday is also our one-year wedding anniversary (yay!). And it’s also a working vacation for me, as I’m covering the event in words, audio and photos for the O’Reilly Digital Media site.

Debra Jean and I got here yesterday. A friend is watching our house (and our squittens!) and we came up two days early. The actual expo starts tomorrow (Friday), but we got in yesterday (Wednesday), recovered from the drive, relaxed, had some hotel lovin’, and walked around meeting people.

Tonight there was a reception for the speakers. We attended that, and I got some of the “work” out of the way early. Interviewed a bunch of “rock star level” podcasters about trends and such, and did some ambient recording for kicks.

The hotel is not only next to the airport, it’s also next to a railroad track. We actually have double-layer windows, to block out the noise. I opened the windows and recorded this short (two minutes) MP3 of the train passing by our hotel room tonight. And here is a 30-second MP3 of the speakers’ reception, which one could certainly use for a party when that need arises in some audio production.

I’ll post more later, on the O’Reilly site, probably next week, but I just wanted to check in and let you know I didn’t fall down a woodchuck hole.

MEW!

– Michael W. Dean

Podcasting for Dummies” co-author, Tee Morris getting interviewed in MWD’s room:

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GearSlutz.com syndicating some “Clone The Homeless”

Tuesday, September 25th, 2007

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Dig this.

Nifty! They’re gonna syndicate some of the episodes I do about recording technology.

I made a special GearSlutz intro, with Debra Jean crooning the info.

–Michael W. Dean
“Clone The Homeless”
Michael W. Dean’s podcast that remembers when sex was safe and music was dangerous. (Free, and no iPod is needed to listen.)

I’m speaking at the Podcast Expo

Monday, September 24th, 2007

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Howdy! This Saturday is me and Debra Jean Dean’s first wedding anniversary. Yay!

We’re celebrating by going to the Podcast Expo (Sept 28-30) in beautiful sunny downtown Ontario, California. I’m hella psyched.

I’m also speaking on a panel on Saturday, called Veterans of the Yahoo! Podcasting Board: What We’ve Learned These Past Two Years With Stephen Eley (bio) of Escape Pod, Matthew Wayne Selznick (bio) of MWS Media, Evo Terra (co-author of “Podcasting for Dummies” bio) of Podiobooks.com.

Debra Jean and I went last year, the day after we got married. While there, I said to her, “Hell, I’ll be speaking at this thing next year”, and like most pronouncements of mine, it came to pass.

I’m also speaking, with Debra Jean, at PodCamp, which happens Thursday, the day before the Expo really starts.

See you there!

MWD

WHEN A MICROPHONE IS BETTER THAN A ROLEX

Monday, September 24th, 2007

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Get episode 0052 of the Clone the Homeless podcast

Interview with DAVE BOCK OF BOCK AUDIO (part 1 of 2), recorded on Bock microphones. Recorded in the living room of Dave and Kirsten Bock.

Bock Microphones are becoming a name that people expect to see in the highest-end recording studios in the World.

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Dave Bock and Michael W. Dean yack, on two Bock microphones, about recording the Bomb first demo, recording the Bomb “To Elvis In Hell” record, 16-track two inch tape, Helios consoles, Trident consoles, Hyde Street Studios, iso rooms, PSW forum, Gear Sluts, Gear Slutz, Roy Thomas Baker, how to get a great guitar sound, Don’t Fear The Reaper, More Cowbell, Helios Creed, Sandy Pearlman on Bomb, the Chatterbox, reduced by Bill Laswell, Laswell vs. Ted Tepleman, Re-20 mics, Bock microphones, Bock audio, the mic that Garrison Keillor uses, the history of shock mounts, the history of pop filters, RCA, film booms, U-47s, U-49s, Frank Church, the history of microphones, the book “Recording the Beatles”, how to do great basic tracking, Wally Heider, Al Schmidt, Jefferson Airplane, Santana, Hendrix, Flipper, Dead Kennedys, Michael Ward, recording over the Internet, and the history of Bock Audio.

ALL PHOTOS FROM THIS INTERVIEW

Part 2 of 2 of this interview.  

Clone The Homeless podcast site.

I am so brilliant!

Friday, September 21st, 2007

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Get “Clone The Homeless” episode 0051-a

Fri, 21 Sept 2007

I am so brilliant!

Michael W. Dean answers interview questions over the Internet with Christian Holmes. Christian runs www.criticalmassmedia.tv and is a $30 Film School fan. He’s a cool guy, and is helping Michael get Stink Fight Radio on TV shown in Hawaii.

Debra Jean Dean asks Michael the questions that Christian sent. Michael records it, edits, adds in Christian’s intros and outros, and uploads both here and to Christian for his Critical Mass Media podcast.

This groovy interview covers a lot of ground. Dig it!:

Questions: In your blog post “How to Work in Web 2.0″ you mention a sleeping habit of waking up at 2 PM in the afternoon and falling asleep at 6 AM the next morning. Is this your true sleeping pattern? If so, what are your reasons or the benefits of having it?
According to Amazon.com, your book “$30 Film School” was written in 2003. What kind of feedback have you received? What seems to be your default demographic?
Your book focuses on Low and No-budget video productions. It features many useful tips and tricks from the weekend video-hobbiest or DIY diehard. Where is the main source for your insights (are they things you learned or taught yourself along the way, are they primarily tricks that were passed down to you from a teacher or mentor?)
Your current blog as I understand it to be is StinkFight.com, where did the name “Stink Fight” come from?
Many new digital media producers turn to blogging (and/or podcasting), what are the rewards or benefits you have found to blogging as an independent artist?
You have written other books besides “$30 Film School” (as a quick author search will tell you), have any of your other books met or exceeded the success of “$30 Film School”?
As your blog states, you were just recently hired at the O’Reilly network! What will this position entail and how will this new exciting job change your lifestyle as it has been recently?
What was (before O’Reilly) your main source of income?
Have you ever experimented with streaming live media online? If so, did you enjoy live-online streaming as a medium?
Obviously, readers should read your book for a copious amount of tips, tricks, and workflows for video production. What singular piece of advice would you offer to a producer just starting out in digital media production?
What is the source of the inspiration behind your art?

And some stuff about SEO, blogs, O’Reilly, how Google may end up running the world, tips for artists who want to make a living at art, and why you shouldn’t always follow your dream.

 

Getting great sound with the Zoom H2

Thursday, September 20th, 2007

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(I’ve been getting a lot of letters about my H2 recordings, and asking how I make them sound so damn great. I decided to answer one here, so we could share the info.)

——————————————–

Hi Michael,

I’m a recent Zoom H2 owner (well, I guess we all are). I listened to your CloneTheHomeless podcast #50 after it was linked on the O’Reilly site, and then to #51 (which I got completely sucked into, to the point where I probably will listen to parts 2 to 4 even though I’m not really a podcast listener).

I’m really impressed with the audio quality you’re getting, and wondered if you could share your technique with me, i.e., what gain level you’re using, if you adjust beyond setting the L-M-H setting, and how far from the person speaking you’re holding the mic. Are you moving the H2 from you to DJ in #50? You both sound very clear…

I didn’t hear lot of handling noise in the casts, are you doing anything special to reduce that? I had thought that you could make a simple shock mount using PVC pipe (similar to this), though it would be less comfortable to hold.

Anyway, thanks for anything you’re willing to share, and thanks for the casts.

Alan Fairley (aka nolonemo)

=======

Hi Alan,

Hey man. Thanks!

So, I recorded all those casts with the gain on the High setting (of low/med/high), and the internal levels at 100 (out of possible 127). We didn’t use a shock mount, DJ and I took turns gently but firmly holding the H2 (on the included “lollypop” stick) in front of us while we walked, but didn’t pass it each time one spoke. We may have intuitively pointed it a bit to each other as we did, but I don’t remember doing that. We held it at about boob level between both of us, maybe pointing the front up at our mouths at a slight angle, about a foot from our mouths. This was with the front mics, the 90 degree ones. The Becky cast, since it was three people, was done with the back mics (the 180 degree ones).

When we had it on the table with Becky, and when we were walking with her, it was about two feet from everyone’s mouths. When it was on the table, we used the included table stand (as we call it the “H2D2 tripod”, lol).

I meant to put a folded up T-shirt under the H2 as a shock mount, but forgot. It didn’t matter much, I think the H2 engineers must have done a good job of internally shock mounting the on-board mics. Yay them!

I’ll try the T-shirt thing when I record the panel I’m on at the Pod Expo on Sept 29. (My first wedding anniversary! Yay! Debra Jean and I are going for four nights, to celebrate our love.)

I recorded both the Clone the Homeless H2 casts using the H2’s CD quality setting (44.1 k, 16-bit stereo WAV) using a 4-gig SD card. I didn’t do any chopping or editing to remove ums and ahs (which I DO do when we record at home in the studio using the good mics and the computer). I just ran it through the Levelator and then added the usual podcast intros and outros. Then encoded to 128 k stereo MP3 using AudioCatalyst.

I think that’s it. If you have more questions, post ‘em here and I’ll answer.

Rock on,

Michael W. Dean, King of all DIY media.

More BOMB that you’ve never ever heard.

Thursday, September 20th, 2007

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CLICK HERE TO DOWNLOAD the 38-meg high-encode rate 22-minute MP3 of the 1986 Bomb demo 17 Reasons Why. (Right-click to save.)

The four songs on this demo are:
1. Madness
2. I’m Not Restless
3. I Loved You, then I Died
4. Gigi

UPDATE: This was NOT engineered by Jay Crawford, we’re still looking for that tape (”17 Reasons Why.”)

I was confused in my memory of the recording (which is not too surprising, as I was pretty confused back then, AND it was a long time ago. D’oh!)

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This tape was the unnamed demo recorded and engineered by Dave Bock at Hyde Street Studios. It was executive produced by Kirsten Bock.

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This was a demo in preparation for the “Elvis In Hell” sessions.

Program my PodBot

Wednesday, September 19th, 2007

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So, I have this idea….and I’m looking for a programmer (or programmers, or programmers and an engineer) to make it a reality.

I’m looking for someone who could figure out a way to archive massive amounts of data on the Internet, forever. Something like bittorent, but sort of somehow like BBS systems. I’m not sure….but someway to make sure my stuff is available long after my death by somehow distributing the data, and the database controlling it, over many servers, I think.

If I could explain what I’m really envisioning, and someone could make it, it really would change the world.

I told this to $30 Film School grad, and all-around smart guy, Christian Holmes. He said, “I unfortunately would have to say I am not really the man for the job. Not enough of a codemonkey. What I would say is that you could entrust your website and the management of it to someone you trust and ask them to pass it down similarly, then make all the links lead to an internal (on your same server) database that chooses a random “mirror” of your file (say you store it on 10 different public repositories of data) and if it does not find it there (the server went down, the company went out of business, etc) it moves on to the next server and flags it as a file needing to be moved to a new public repository to sustain redundancy (you follow?).

“Thus, if automated correctly (and once again, I’m not the one to do it) it would be a self-sustaining application, constantly maintaining redundancy.”

I told him, “I like it. And it kinda sounds like a chain letter, with computers!”

ANYWAY, if anyone on here can help make this happen, or knows someone who can, hit me up on e-mail.

–Michael W. Dean

—=

P/s, the term “podbot” that I’m using for this idea comes from here:

“When the universe collapses on itself and is sucked into a black hole, I imagine Michael Dean’s words will still be transmitting from an autopiloted pod-bot until millions of years later when the next cycle of life on the planet begins….” –Skip Lunch

How to get a job in Web 2.0

Tuesday, September 18th, 2007


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SO….I have a lot of time on my hands, and I also work a lot….on a lot of different projects. I spend many hours a day parked in front of a computer. I turn my laptop on at 2 PM when I wake up and it’s on until 6 AM when I go to sleep. And I’m pretty much on it, on and off, all my waking hours.

It’s sometimes hard to tell which of this time is work, what part of it is just fun, what’s promotion for previous projects and what’s research for future projects. Sometimes it all kinda blends together. I mean who can say that surfing links for three hours on Wikipedia or posting on some blog isn’t work, isn’t part of my job? It’s all good, it’s all learning, and everything I do helps everything else I’ll ever do in the future.

I recently posted some comments on the O’Reilly Digital Media site on David Battino’s post about the new H2 Recorder. (I have an H2 and love it.) David followed some of my links, liked some of my writing on Stink Fight and elsewhere, and contacted me with an offer of work.

I had no idea David was the editor of that site or that they were looking to hire one good, experienced writer with an extensive knowledge of digital audio, digital video and digital still photography, but I guess I fit the bill.

I signed the contract today, and I am now a writer for O’Reilly. The ironic thing is I’ve done work for them before. I edited DV Filmmaking Start To Finish, contributed to Digital Video Hacks and wrote an article for Make Magazine. I also did a presentation at Maker Faire in 2006. And David didn’t know any of this this when he decided to hire me. (O’Reilly is a big company, and there’s far too much going on for everyone to know everyone who’s ever done work for them.)

I really like working for O’Reilly and am psyched about this. They pay well, are respectful of their writers, and have a hip audience. I dig that.

One of the cool perks is that checks from O’Reilly have an etching of a tarsier on them. (Photo of a tarsier below, and also at the top of this post.)

So I guess the way you get a job in Web 2.o is be really good at what you do, but don’t look for a job. Mess around a lot on the Internet, post your thoughts freely, and be at the right place at the right time.

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The term “Web 2.0“  was invented by Tim O’Reilly of O’Reilly Media. –Do’h! See comments below)

ALL the cat photos

Tuesday, September 18th, 2007

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I used to be a volunteer kitty foster parent for the SPCA when I lived in San Francisco.

I’d get a kitten or two or three and take them home and love them and socialize them for a month, bring them back, and get new ones. (It’s easier if you don’t name them. I called them all “kitty”).

From 1997-1999 I had over 50 kittens in my home, a few at a time. Socizlizing them makes them adoptable. If you don’t do it, they become mean and no one takes them and they get put to sleep. Contact your local SPCA if you want to do this.

Click this link and down for links to several hundred photos of the kitties I have fostered

Many of those pages have links at the bottom to even more of my cat photo pages.

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