Archive for the ‘Other people's cool stuff’ Category

ONE-YEAR ANNIVERSARY OF CLONE THE HOMELESS!

Thursday, October 25th, 2007

 

Get episode 0053

Thurs, 25 Oct 2007

YUP! IT’S BEEN ONE YEAR TODAY!

 

EPISODE 55

976-BeckyChat! (3)

Michael W. Dean and Debra Jean Dean have a chat with our special little friend, Becky Haycox. (Part 3 of 4)

Checking out womens’ racks over your wife’s shoulder, sexism, ominsexual people, San Francisco, how to deal with your boyfriend working at a strip club, feminist strippers, couples who like the same pornography, taking your girlfriend on a date to see the strippers, why women like romance in their sex, other ways that women differ from men, why these chicks hate male bashing, sleeping with more than one person without being a slut, how to get rid of a panhandler, why there’s no such thing as spare change, seeing the Sex Pistols in San Antonio on January 8, 1978 at Randy’s Rodeo, Pink Floyd never murdered anyone, Syd Barrett rocks, and how to freak out the youth of today.

Photos of the day here.

Entire episode recorded on location on the street in Ventura, California on the Zoom H2 portable handy recorder.

War is hell

Thursday, October 25th, 2007

My dad just sent me another cool thing connected with John Eddy being flim-flammed in the oil scam. It’s a letter that John wrote from a mental hospital in Los Angeles to his sister Ida (my great aunt, who lived with us when I was a little kid.)

My dad said John was shell shocked from WW I, and ended up in the sanatarium. The letter is rather paranoid, talking about the different times someone tried to poison him to get his land.

I don’t think the letter was ever mailed, it was in this envelope (note three-cent stamp.)

eddyenvelope3centstamp.jpg

The envelope is pre-addressed to one of the companies that was ripping him off. (It was probably a pre-paid envelope to make his monthly “land development” payments with.)

By the way, I talked to my buddy John Murphey at the New Mexico historical society today, he’s going to be the Los Angeles area this weekend and may be able to come over to get the papers and have dinner. Yay!

Here’s the letter:

eddyletterpage1.jpg

eddyletterpage2and3.jpg

eddyletterpage4.jpg

Sweet song for my sweet, departed daughter.

Tuesday, October 23rd, 2007

mewithmicinfield.jpg
Song for my sweet, departed daughter.
http://www.youtube.com/watch?v=RqZNMO3oIdc

Song I sang for my daughter, Amelia Laine Worth shortly after her death from Leukemia last year. Haven’t been able to listen to this song I sang it in memory of my daughter, Amelia Laine Worth shortly after her death from Leukemia last year.

Finally listened to it again yesterday. And today I went up on a hill, recorded another track of vocals. Wife held the camera, I edited the video. I like it a lot. Made me cry, and that made me feel better.

JESUS, I miss my daughter.
—-
Song: “Hallelujah” by Leonard Cohen.
Arrangement: Jeff Buckley.
Arrangement: Michael W. Dean.
Vocal: Michael W. Dean.
Drums, guitar, bass and organ: Cliff Truesdell.
Pedal steel guitar: Charlie Kramer.

For those of you in China, or who just want a better-looking encode than the YouTube, here’s the 85-meg file. (right click to save.)

Nigerian e-mail scam (1950s version)

Saturday, October 20th, 2007

p1010112.jpg

A couple years ago my gave dad me the deed to two parcels of land in Kenna, New Mexico (Roosevelt County). This land is fairly worthless in a monetary sense. It’s assessed at a total of 1200 bucks. I pay 7 dollars a year tax on it. I’ve never been there.

But the story behind the land is priceless.

The two lots belonged to my deceased great uncle, John Eddy, of Jamestown, New York (where I went to college.) John died in the 60s. He got the land in some oil scam that ended up taking a lot of money from him.

I knew John’s sister, my Aunt Ida, who was sweet and senile when she stayed with us, when she was very very old and I was very very young. I clearly remember her putting envelopes in the freezer, thinking she was mailing letters to her dead brother.

She influenced me in a way. She was often very “spacey” (her words), and made me feel that it was OK to think and say strange things.

Anyway, a company called The Dalies Oil Company sold land and stock to war vets (among others) like my uncle. Then they milked the “investors” for their money in frequent requests for continuing payments to “develop the land and drill for oil.”

johneddystuff-005.jpg

My dad also gave me about ten pounds of wonderful papers connected with this land, stock certificates, newspaper clippings, maps, and much of the correspondence between John Eddy and this Los Angeles-based scam company.

johneddystuff-001.jpg

Among the papers are hand-typed postcards that the company sent each month to the “investors”, talking about how well the oil search was going, how many feet down they’d drilled, what new equipment they needed to purchase, the frequent snags they ran into, how much more money they needed to complete the important work, and of course, how they were still absolutely positive they were going to make everyone rich.

The notes are so over the top that I doubt any actual drilling was ever done.

I don’t know what I’m ever going to do with the land, and have had no plans for the huge pile of musty documents. I’ve thought about writing a sort of docu-drama movie and using my great uncle’s misfortune at the beginning of the oil boom as a parallel for what’s happening now as the oil starts to run out. But probably not.

My wife and I did write a cartoon script (called “The Plump Buffet”) that will most likely never be produced, that takes place on the land. It’s about a sex cult run by cats.

When I phoned up the Roosevelt County clerk to find out how to transfer the title from my dad to me, she seemed to think it was hilarious that a father in New York was giving this worthless New Mexico land to a son in Los Angles. I think she figured us both for city slickers. I had several calls with her and she always seemed pretty jolly about the whole situation.

I asked her what I’d have to do to build out there. She said, “Well, first you’ll need to scrape the land with a backhoe to get rid of the rattlesnakes.” I asked her what permits I’d need. She laughed and replied, “You don’t need permits. You can do whatever you want out there. If the neighbors don’t like it, they’ll just shoot you.”

The population of Kenna proper is “estimated at less than 25 people.”

googlekenna.jpg (Google satellite image of Kenna)

John Eddy also owned oil-scam land in Valencia county, New Mexico that actually ended being sold for a lot of money to build a mall. Unfortunately, the lazy bank my dad put in charge of paying the taxes defaulted and my family lost that land.

This oil scheme bilked John Eddy out of a lot of money, a few bucks at a time, over a decade.

No oil was ever found. The whole thing reminds me of a Nigerian e-mail scam, but from the 1950s. And John Eddy ended up in a mental hospital.

My brother James pointed out “These people were able to continue this scam, simply because in those pre-commercial airplane days, no one went there to check on it.”

OK….Here’s the really fun part. I got an e-mail the other day from an old friend named John Murphey. Cool cat, we played music together in the Bay Area right before I formed Bomb. He found me after 20 years, while searching info on the H2 digital audio recorder. He plans to get one to use for recording interviews on his job, which just happens to be as a state historian for New Mexico.

John Murphey wrote:

I startled when you mentioned John Eddy; I thought you were related to THE JOHN EDDY, the big-shot cattle baron who once owned half of SE New Mexico. Your life may have been a little different if your great uncle was cattleman, John Eddy. Land/oil scams were big in the 1930-50s. You are actually the second person of our age to tell me they own worthless land in Kenna. Yeah, I’ve been there and helped the community write a history on the sole surviving commercial building - the grand Midway Service Station. An extract of that narrative appears on the State Historian’s web site:

http://www.newmexicohistory.org/filedetails_docs.php?fileID=21168

Do you have the exact coordinates or lat/longs for the land? Does it have an access easement? Can I camp there? Send me the screenplay.
Attached are some pics I took of Kenna’s Hi-Lonesome landscape.

img_5649.jpg

I wrote him back:

I forgot to tell you the best thing in the collection of John Eddy papers that I have. A big fold-out map of the ground plan for Kenna, with lot numbers, and street names like “Oak” and “Elm”. It looks like a map of an existing town, which may be what they were telling people on both coasts as they sold them the dry swampland.

Also, THE John Eddy (rich cattle dude) was no relation, but my dad says my great-grandfather invented the cattle chute, and some neighbor stole the idea under him and patented it.

—-

I have wondered what I’m going to do with the two lots. I registered the domain name TimeShareFromHell.com two years ago, but let it expire this year.

Maybe I’ll just content myself with being a proud member of the landed gentry, keep mailing in my seven dollars a year in tax, and know that when California starts falling into the sea, me and the wife will have a place we can go camp.

—-

So the upshot is that John Murphey asked if the State of New Mexico could have my John Eddy papers. As nifty as the collection is for me to have, I’m probably going to donate it, as it’s a lot more useful in the hands of a state historical society than in a box the back of my closet.

Link to a bunch of photos and scans from the John Eddy file.

Post about why I love to edit audio

Friday, October 19th, 2007

http://tech.groups.yahoo.com/group/podcasters/message/33326

(The text at the top is Todd’s post, my reply is below.)

Dave Bock interview, part 2 of 2

Friday, October 19th, 2007

bockmicparty-053.jpg

>>Get MP3 of episode 0054 of CLONE THE HOMELESS

Fri, 19 Oct 2007

WHEN A MICROPHONE IS BETTER THAN A ROLEX - part 2 of 2

Interview with DAVE BOCK and KIRSTEN BOCK OF BOCK AUDIO. Recorded on Bock microphones in the living room of Dave and Kirsten Bock.

Bock Microphones are becoming a name that people expect to see in the highest-end recording studios in the World.

Topics:
Dave Jerden, Bill Laswell, rock music click pads on bass drums, MDC, Alice in Chains sounds like Crosby, Stills, Nash and Young singing over Black Sabbath, why David Bock and Michael Dean started playing guitar, 1973 Gibson Les Paul signature hollow body guitars, giving the gift of prog rock, Dave Bock’s awesome surround sound McIntosh tube-powered home stereo, Esoteric Audio, Dave Bock on the history of Bock microphones. Kirsten Bock and Dave Bock expound on how the first Bomb record got made at Hyde Street Studios. She talks about The Farm, The Chatterbox, Michael Urbano, Dave Immergluck, Dan Schwartz, John Hyatt, Bill Laswell, Michael Beinhorn, Liquid Jesus, the power of mixing in mono, how to play power pool. They talk about what’s on Dave’s iPod,
George Massenburg, close micing jazz music, Barre Phillips, and the Hit Factory.

From the Clone The Homeless podcast

 

Codex Beauty

Thursday, October 18th, 2007

ebk-cov-tb.jpg

New free poetry eBook from my buddy in France, Thierry Brunet. (Book is in English.)

Damn good stuff, his!

Download here:

http://www.blazevox.org/ebk-tb.pdf

Info here: http://www.blazevox.org/

The REAL $30 Film School

Thursday, October 18th, 2007

inside1-disposable-video1.jpg

Get the $30 one-use video camera

then hack it to work more than once.

Voilà! You’re a filmmaker for 30 bucks!

Skip Lunch, Howie Kafka, me, and the Internet

Thursday, October 18th, 2007

skip-and-tom-cruise.jpghowierat.jpgmwd-red_feverdream.jpg

Just got off a three-way Skype call with Howie Kafka and Skip Lunch. Still on the line with Skip. Howie’s in Germany and Skip’s in China, I’m near Los Angeles. We remembered something I’d forgotten: I introduced them, and I introduced Howie to the Internet. Howie said he had a computer but no modem and I sent him a SNAIL MAIL letter in 1996 and said “You’ve GOT to get a modem and check this shit out!” He did, then I introduced them to each other and they’ve been best friends forever, ever since.

mew. Awww…..I love it.

We had fun on the Skype three-way and were sharing links and music and all that stuff and had a realization: This is what we dreamed of as kids…..talking over the miles with our buddies, while living our lives in amazing places.

Rock the fuck on, man.

Gnu Stink fur Deng - and the future of the Dean Foundation

Tuesday, October 16th, 2007

tn_chinglish6.jpg

(This is a response to “…Living on Chinese ROCK! [pt 4 on “Skip Lunch on/in China”]“), but I thought I’d start a new stink, as I’m sort of splitting this into a different stinky direction:

Stephen Deng Says:

“…..Oh, Stinkfight! so does mr.Cheetah makes sound prescription (Why you #3). To constitute funny happy blog can try your best on “life style” exactly, e.g. gear, self-promotion, BDDSSM…..”
—-

Michael W. Dean replies:

I love this passage, Deng. Your north-of-the-border yankee chinglish makes for some unintentionally poetic and random beauty. (Sometimes I wonder if you, and maybe also Mr. Denisson, are not in reality Boston-born PHDs laughing while running drunken ramblings through “AltaVista - Babel Fish Translation” into Chinese [or Greek] and back to English again, just to pull my leg.)

Yet your words contain more truth than those of many who were razed hear. You see, I make a lot of “Notes to myself for things to do in the future.” Some end up as books, songs, films, software programs, TV shows, photos or blogs loved by thousands. Many others end up in my trash.

But last night I grabbed a napkin and wrote a quick yet important outline, one that will be realized and affect the world in a big way: “Mission statement for the Dean Foundation“, ideas for the non-profit I will start with my millions near the end of my life. The main focuses of this tax-free organization will be:

Mission statement for the Dean Foundation:

1. Preserve and spread all the art of Michael W. Dean (which may or may not include the PodBot)
2. Help people who rescue, care for and spay/neuter cats.
3. Help young starving artists by giving them one-time grants to pay their rent for three to twelve months.
4. Help spread understanding for compassionate/healthy BDSM.

See, Deng, you got Dean figured to a “T”!
Keep on stinkin’ on.

–Xenophobically yours,

Michael W. Dean (Master of cats, electrical gear, art, BDSM, and self-promotion.)

Bruce LaBruce stole from me so I evened the score

Monday, October 15th, 2007

noskioffmyasscover.jpg

Slightly funny ancient punk history, and gossip….

In 1990 Bruce LaBruce put the song “Be A Fag” from my band Bomb on his JD’s zine cassette comp “J.D.s Top Ten Homocore Hit Parade Tape”, with permission. (Tom Jennings had written Bomb up in his “Homocore” zine, and Bruce found us from that.)

However, Bruce later used the song without permission, during the end credits of his film “No skin off my ass.” When I found out I asked him if we were gonna get any money (The film made a good bit of scratch in home VHS rental and theater showings). He said, “Michael, money in film is like sex with a gay man. If you don’t get anything in the front, you won’t get anything in the rear.”

I took that line, changed “film” to “music” and used it in my first novel “Starving in the Company of Beautiful Women”, without attribution.

If he’d simply asked “Can I use the song for free?” We would have certainly said yes. I just thought it was a little suspect that he used it without asking, and then was so damn caviler about it.

It’s the only time I’ve ever out and out stolen a line from anyone, but I figured I was due. We’re even, and I got a good story out of it.

Carry on.

–MWD

Dirty, filthy blues quote of the week, (6)

Sunday, October 14th, 2007

It’s that time again…….

blues3.jpg

So, kitties……More from our new series, “Dirty, filthy blues quote of the week.”

Each week around Sunday night (the longest period before more church, lol…) I’ll post a new quote from my friend Debra DeSalvo’s book, The Language of the Blues: From Alcorub to Zuzu.

I love this book.

The quotes won’t always be dirty and filthy (though sometimes they will), but they’ll always be great. And they’ll always be dirty and filthy in spirit, because it is, after all, the blues

Here’s this week’s quote:

 

—————-
biscuit

The blues is loaded with culinary references to sex~~this is a form of signifying, or the use of innuendo and doubletalk that is fully understood only by members of one’s community. A delicate flaky biscuit dripping with butter and honey, therefore, becomes a metaphor for a delectable young woman, while a skilled lover is called a biscuit roller.

The biscuit roller can be male or female, as evidenced by Robert Johnson’s lyric from “If I Had Possession Over Judgment Day”:

I rolled and I tumbled and I cried the whole night long

Boy I woke up this morning, my biscuit roller gone

In the 1930s and 1940s the word biscuit was also sometimes used to refer to a human skull The King Biscuit Blues Festival in Helena, Arkansas, by the way, has nothing to do with any of these meanings for biscuit. It’s named after the King Biscuit Flour Company, which used to sponsor the famous King Biscuit Time radio program.

Songs:

“Biscuit Roller Blues”~~Kokomo Arnold (James Arnold)

“If I Had Possession Over Judgment Day”~~Robert Johnson

“Big Mama’s Door”~~Alvin Youngblood Hart

—————-

(Excerpted from The Language of the Blues: From Alcorub to Zuzu by Debra DeSalvo. Published 2006 by Billboard Books, an imprint of Watson-Guptill Publications, a division of VNU Business Media. Reprinted with permission. ISBN: 0823083896)

Rock video for “Alien Symptom”

Sunday, October 14th, 2007

Video HERE: http://www.youtube.com/watch?v=InugVk1bxxM

djhat.jpg

(Debra Jean Dean on the set of “Alien Symptom”)

Song: “Alien Symptom” by Michael W. Dean (inspired by Helios Creed)
Story:
Michael W. Dean and George Earth
Camera:
Michael W. Dean and George Earth
Actors: George Earth, Debra Jean Dean, Becky Haycox,
Michael W. Dean.
Filmed Oct 14, 2oo7 at Paramount Ranch (Where they shot “Dr. Quinn, Medicine Woman”)

Oh….and I took Skip Lunch’s advice on where to fade it.

george1.jpg

George Earth relaxes between takes on the set of “Alien Symptom.”

George is the punk rock Marlboro Man (who smokes “American Spirit” ciggies).

—–

Making-of pix (c) Becky Haycox:

http://www.flickr.com/photos/hambox/sets/72157602433416584/

….for Helios Creed

Saturday, October 13th, 2007

h.jpg(Helios checks his e-mail. Photo by Michael Dean)

I wrote a song this week called “Alien Symptom.” It’s very much in (my interpretation) of the style of my friend/hero/influence Helios Creed. Helios heavily influenced Ministry, Butthole Surfers and Flaming Lips, among others.)

Download the MP3

I played drum loops, bass guitar, keyboards, and sang. Charlie Kramer played the guitar (over the Internet, and e-mailed me the files.) Mix is still a little rough, but I like the song and the singing.

I’ve never really tried to write / play / sing / produce in someone else’s style, but this came very naturally, and I like the results.

I’m especially proud of the lyrics. And they’re are about being scared late at night and contemplating my own mortality, something I tend to do occasionally between, oh, 2 AM and 6 AM or so, especially when the wife’s asleep and the cats are being crazy and it’s very very quiet.

(Video we made for the song is here: http://www.youtube.com/watch?v=InugVk1bxxM )

Here’s the lyrics:

Alien symptom -

feed the parasite

alien symptom -

complete the path tonight.

 

Feed the little parasite

complete all the paths all right.

 

Neuro-illogical restructuring

dressing room Mabuhay gardens

we shared a glass of sleep.

 

Alien symptom -

spaces between the light.

alien symptom -

Forgive the fortune of the night.

 

Access interrupted for

authentication protocol

speak to me

in silent terr0r-bytes.

 

File is offline

attribute missing

isolation modules in

synaptic silicon.

 

Feedback loop of

late-night protocol

crystal membrane landscapes tell the truth

in forgotten pentathol.

My report on the pod expo for O’Reilly site

Thursday, October 11th, 2007

Article is here: http://tinyurl.com/3c339j

A few of my photos got cut for length:

pmdfriday-009.jpg

caption: “Me at book signing: Buy my book or I’ll smack you with this microphone.”

—–

pmdfriday-029.jpg

caption: “I’m not sure if this was a boy or a girl, but after about four beers I’d be following it around. Which is part of the reason I no longer drink.”

—–

DJ’s stunning large photo (makes great wallpaper) is getting used on the front page, but here’s the big one:

convention.jpg

Note. I invented a word poduine and it’s in this article.
The word “poduines” is not on the Internet at all. Let’s check in a month, see if it catches on.

The word “poduine” exists only five places on the Internet now.
What language is this? Regardless, it’s certainly not the context I’m using.
http://www.google.com/search?num=100&hl=en&safe=off&q=poduine&btnG=Search

Help a cool filmmaker, Amanda Mazzanti

Thursday, October 11th, 2007

 289010832image.JPG

One of my “$30 Film School” students, Amanda Mazzanti, is making this very worthwhile documentary
http://www.digitalady.com/maya.html
and traveling to Guatemala, Honduras and Nicaragua to do it.

She needs donations, and you should consider helping her. She has a fiscal sponsor, so you get a tax write off if you do. Donation info here.

From her website:

Women Supporting Women
Amanda Mazzanti, Northern California filmmaker, is working in conjunction with Executive Director of The Equilibrium Fund, Erika Vohman, to capture the individual, economic, and environmental benefits of The Maya Nut Program.

Why, The Maya Nut Program?
One saturday afternoon I found myself at dinner listening to my mom talk about a woman from Davis, California who ‘picked up a nut’ in Guatemala, brought it back to the states to have it analyzed- and ‘discovered it’s true worth!’ Soon to be discovered, this woman was Erika Vohman, founder of The Maya Nut Program- which has trained over 7,000 women from 320 communities since 2002! It was a magical story, and left me inspired. I went home and researched it, and found nothing, except for the trail Erika has left on her website and sponsors of the program.

Cool gal who loves “Clone The Homeless”

Thursday, October 11th, 2007

 catyard.jpg

and saves cats:

http://www.youtube.com/watch?v=gO5IcSrDg_g&watch_response

Hey! I’m a cartoon!

Tuesday, October 9th, 2007

 george.jpg

I get mentioned in George Earth’s new Cheep Comix number 3. (page 23.

I love this comic, even though all its characters are in serious need of psychotherapy.

(Download 15-meg PDF here.)

This hard drive will extend my lifespan

Tuesday, October 9th, 2007

cameravideotest-014.jpg

UPS just delivered got my new Western Digital 500 gig external FireWire drive. I can backup MOST of everything I’ve ever done on here. Let’s call this thing PodBot 1.0.

I’m psyched. This thing only cost $167 (on NewEgg. I love NewEgg.com. They have great prices, and since they ship from nearby Orange County, the stuff arrives overnight, even when I pay only for the cheap three-day UPS shipping.)

I can remember ten years ago seeing a one-terabyte drive array (that’s twice the capacity of this one). It cost 100,000 dollars, was the size of a fridge, and nurds at the trade show were standing in front of it touching themselves and salivating.

I love that the tools of my trade are getting so damn cheap. It’s a great time to be alive.

Dirty, filthy blues quote of the week, (5)

Monday, October 8th, 2007

It’s that time again…….

blues3.jpg

So, kitties……More from our new series, “Dirty, filthy blues quote of the week.”

Each week around Sunday night (the longest period before more church, lol…) I’ll post a new quote from my friend Debra DeSalvo’s book, The Language of the Blues: From Alcorub to Zuzu.

I love this book.

The quotes won’t always be dirty and filthy (though sometimes they will), but they’ll always be great. And they’ll always be dirty and filthy in spirit, because it is, after all, the blues

Here’s this week’s quote:

—————-

 

Blues (part one, including “coolness”)

The most popular version of the musical structure known as “the blues” follows a twelve-bar, I-IV-V chord progression, and typically repeats a lyric line twice at the beginning of each verse. The blues form is described in European musical terms as based on a major scale with the third and dominant seventh notes flattened, or as a twelve-bar sequence of tonic, subdominant, and dominant seventh chords. “Such a definition,” LeRoi Jones (Amiri Baraka) argued in Blues People, “is like putting the cart before the horse…. The fact is that [these] are attempts to explain one musical system in terms of another, to describe a nondiatonic music in diatonic terms.” The blues cannot be defined in strictly African terms either, however. The best way to define the blues may be to say that blues music is an American music that reflects African musical devices and aesthetics.

Even though their native languages and music were forcibly suppressed, African slaves in the American colonies managed to hold onto the aesthetic values of African music~~and these profoundly influenced the development of American popular music. Blues, jazz, and rock reflect not only African musical and vocal techniques, but also African principles regarding musical improvisation and such aesthetic values as “coolness.” In Yoruba culture, the ability to connect with one’s inner divinity is described as (itutu) or “coolness.” From this we get the American ideal of the cool or soulful musician. Interestingly, the color most often used to symbolize this quality in African art is blue.

“The blues” stems from the 17th-century English expression, “the blue devils,” which described the intense visual hallucinations of delirium tremens, the trembling and psychosis associated with alcohol withdrawal. Shortened over time to “the blues,” the phrase came to mean a state of emotional agitation or depression. Although there are happy, uptempo blues songs (sometimes called “jump blues”), most blues songs mine a melancholic vein, and express feelings of loss and emotional turmoil.
For white Americans, “blue” meant “drunk” as early as the 1800s. Among African Americans, an intimate couples dance called the slow drag that involved plastering as much of one’s torso to one’s partner’s as possible and grinding the hips together very slowly and sexily was also called “the blues.” A rural juke joint at the turn of the century would be jammed on a Saturday night with couples getting their drink on and doing the precoital shuffle to the accompaniment of a bluesman on guitar, stomping the beat out on the floor with his foot.

Although no one knows for sure, it seems probable that “blue,” meaning drunk, led to a dance called “the blues” that got hotter and sexier the drunker the dancers became. In turn, the slow sensual music that accompanied the dance became known as the blues.

The link between “blue” and drinking and dancing is also indicated by “blue laws” that still prohibit the sale of alcohol and the operating of saloons on Sundays in some states. The term “blue law” was first used by the English Reverend Samuel Peters in his 1781 book General History of Connecticut, which caused a stir when it appeared in London during the American Revolution. Peters described ludicrously punitive Sabbath observance laws purportedly enacted by the Puritan governors of Connecticut. Peters also convincingly described the “march of the frogs of Windham” and claimed that the Puritans were called “pumpkin-heads” in their new homeland. Peters’ work was eventually discredited as a hoax, and he is believed to have made up the blue laws to poke fun at the colonies, which he had been forced to leave during the Revolution. Nonetheless, laws on the books prohibiting certain business and entertainment activities on Sundays are still referred to as blue laws.

 


(Excerpted from The Language of the Blues: From Alcorub to Zuzu by Debra DeSalvo. Published 2006 by Billboard Books, an imprint of Watson-Guptill Publications, a division of VNU Business Media. Reprinted with permission. ISBN: 0823083896)

I write the movies that make the young men rock

Sunday, October 7th, 2007

mudletter.jpg

I get a lot of fan mail, and I dig it all. Something I like a lot about this one from this kidd in Australia. Short and sweet:

Hey Dean
your film (D.I.Y Or Die) inspired me to do this: Mud Letter Pie.
Thank you for an inspirational journey.
Tours true and surely,

Jesse Kidd.

Here’s his very cool band, Mud Letter Pie. He plays everything:

http://www.myspace.com/letterpie

I’m so proud of him.

I’m so proud of Debra Jean!

Friday, October 5th, 2007

She drew this flower

dollieflowersmaller.jpg

the other night. I dig it. (click thumbnail for big image of it.)
–MWD

My cool new gig (O’Reilly writer)

Thursday, October 4th, 2007

oreilly.jpg

Well, I started my new gig as a writer (and occasional audio journalist and producer) for the O’Reilly Digital Media site. I dig it.

DJ and I went to the pod expo and had a blast. I recorded some audio of it, and it’s now edited and up on the site.

It was a good trip and this is a good gig for me. I haven’t spent a night outside my house since my daughter’s funeral (11 months ago), and I think I’m off my kick of “I’m not leaving the house ever again.” I was a little nervous the first night of the expo for this reason (still stuck in homebound mode), but I think going out and having a bunch of fun outside the nest was really fun.)

=====
http://digitalmedia.oreilly.com/

permalink:
http://digitalmedia.oreilly.com/2007/10/04/dmi18-inside-the-new-media-expo.html

Direct MP3:
http://cachefly.oreilly.com/digitalmedia/2007/10/dmi19-new-media-expo.mp3

RSS for Digital Media Insider podcast:
http://www.oreillynet.com/pub/feed/72?format=rss2

Includes interviews I did with: Tim Bourquin (founder of the Podcast
And New Media Expo), Mignon Fogarty (Grammar Girl podcast), Tee Morris
(co-founder of Podiobooks.com / co-author of “Podcasting for
Dummies”), Stephen Eley (Escape Pod podcast), Tim Street (French Maid
TV vodcast), Michael Butler (Rock and Roll Geek Show podcast on
Podshow.com), Evo Terra (co-founder of Podiobooks.com / co-author of
“Podcasting for Dummies”), Roy Harper (Marshall / MXL mics), Matthew
Wayne Selznick (Writers Talking podcast, founder MwsMedia.com, author
“Brave Men Run”) , Michael W. Dean, Joel Mark Witt (MarylandZoo.TV
vodcast), and Father Roderick Vonhogen (The Healthy Catholic vodcast.)

=====

(Below: an unrelated photo of O’Reilly’s mascot, the Tarsier. I think these things are creepy. They look like little people. But don’t mind cashing checks with a Tarsier on it, and O’Reilly’s checks DO have a drawing of a Tarsier on them.)

philippine-tarsier.jpg

DEAL MACHINE “The kegger band for online universities.”

Thursday, October 4th, 2007

 neo2mwd.jpg

Last year I started three podcasts. Clone The Homeless, SAC and Deal Machine. http://www.dealmachine.org/.

The first two are still going. Deal Machine Podfaded.

Clone The homeless and SAC are still doing weekly episodes of me and the wife and our little friends yacking. But do not lament the fate of poor faded Deal Machine, it served its purpose.

Last year I got seriously into computer recording. I’d been recording audio on computers since 1996, which is shortly after it was possible to do so, but had never really gotten good at it (or even owned a decent microphone) until last year. I’d made a lot of great music before, but it had all been done in studios, recorded to 16- or 24- track tape, and was engineered by people who spent their lives learning about audio recording.

Deal Machine was my music podcast. My virtual band. Or as George Earth said, “The kegger band for online universities.”

I’d record bass, drum loops and vocals, upload the songs, and my buddies in different cities (and countries) would record guitar to that, e-mail me the guitar tracks, and I’d mix it. The podcast linked (and delivered via RSS) the rough mix, then the final mix. It was a fun thing, you got to see the music form.

I basically did it to help me learn to record, to remember how to sing and play bass, and to give me something to do creativly to help process my daughter’s death. I think that Deal Machine served its puropuse. It’s no longer being updated, but there’s some damn fine songs on there.

Check out “Ode To A Cat” (which my friend Bob Bartosik played sax on, and George Earth played guitar on, both over the Internet.)
Then check out the rest of the songs.

Enjoy!

Gorgeous kitty pix

Wednesday, October 3rd, 2007

We got a new Canon A460 digital camera today. (We’re giving away our old camera, if you want it, e-mail me. The old one found a new home already.)

The new camera pretty much kicks ass. And it was really inexpensive (like $115 with shipping.)
It takes damn fine pretty kitty pictures. Here’s a WONDERFUL photo DJ took of Fuzzy:

newcamerayay-039.jpg

And you can click here for the 3-meg zip of 8 wonderful kitty-and-microphone pix click here to get the 3-meg zip of 8 wonderful kitty and microphone pix. They make great computer wallpaper, and you can feel free to use for anything. Credit Debra Jean Dean.

And this little one, below (that I took, with the old camera) makes a great center (not tiled) computer desktop.

debeastmyoffice.jpg

Below is a thumbnail to another (large) wallpaper from the same session.

catwallpaperinbox.jpg

976-BeckyChat! (2)

Tuesday, October 2nd, 2007

1397920968_0edc34c87e.jpg

DOWNLOAD Episode 0053 (54 megs, 60 minutes)

Michael W. Dean and Debra Jean Dean have a chat with our new little friend, Becky Haycox. (Part 2 of 4) (And yes guys, she is cute and single!)

They all drive around Ventura, California, go have dinner together, talk about sexy sailors, polyamory with guys who look great in a skirt, drugs of the nasal variety, Kathy Griffin and the Catholic Church, meth-takin’ bike-ridin’ Christians, pinking up, Danny Plotnick, getting clean vs. dying, traveling Europe with your film, Miles Montalbano, commemorative tattoos for dead relatives, kinderwhore punklettes, dealing with a death in the family, make love not war, The Fabulous Furry Freak Brothers, “Pants a gangsta day”,

Episode is from Michael W. Dean’s podcast that remembers when sex was safe and music was dangerous. (Free, and no iPod is needed to listen.)
http://www.clonethehomeless.com

Entire episode recorded on the Zoom H2 portable handy recorder.

Below. Photo by Becky of the “Give peace a chance” girls we encountered.

1397032185_5474c2f838.jpg

fdrecccccccccccc32wwwwwwwwwwwwwwwwwwwwwwvcfdcr

Monday, October 1st, 2007

peanut-on-kybd-009.gif

I just came into my office, and that’s what it said on my screen. “fdrecccccccccccc32wwwwwwwwwwwwwwwwwwwwwwvcfdcr.”
I didn’t type it, DJ didn’t type it. I’m guessing a cat typed it.

That reminds me of something I saw years ago: PawSense. It’s a total “If someone can program it, someone will” software program. PawSense detects “cat-like typing” (any three adjacent keys typed simultaneously) and sounds a LOUD alarm through your speakers to “train” the cat. It also disables the keyboard from being seen by any programs until you type the word “human.”

I dunno….I find cat herding impossible for me, I doubt software can do better. (And my cats can probably type the word “human.”) But I still love the idea of PawSense. And hell, it’s only 20 bucks.

(I love that the image on their site, above, is called “Peanut on keyboard”, because it looks like our cat named Peanut.)

cat-like-typing-detected.gif

Dirty, filthy blues quote of the week, (4)

Sunday, September 30th, 2007

It’s that time again…….

blues3.jpg

So, kitties……More from our new series, “Dirty, filthy blues quote of the week.”

Each week around Sunday night (the longest period before more church, lol…) I’ll post a new quote from my friend Debra DeSalvo’s book, The Language of the Blues: From Alcorub to Zuzu.

I love this book.

The quotes won’t always be dirty and filthy (though sometimes they will), but they’ll always be great. And they’ll always be dirty and filthy in spirit, because it is, after all, the blues

Here’s this week’s quote:

—————-

 

balling the jack

When a conductor got a locomotive steaming at top speed, he was said to be balling the jack, as in “they were balling the jack at the time of the wreck.”[i]  The train was the jack~~short for “the jackass carrying the load.” To “ball” meant to go flat out, pedal to the metal, and came from the railman’s hand gesture signaling the crew to go faster.[ii]

By the 1920s, the expression “balling the jack” had leapt from the rail yards into the popular lexicon as an expression for any wild, all-out effort~~from dancing to sex to, for gamblers, risking everything on a single toss of the dice. Shortened to “balling,” it came to mean having a wild time in and out of bed.

The phrase was given a push by the Balling the Jack fad, which reportedly began as a sexy juke joint dance involving plenty of bumping and grinding. It evolved into a group dance “involving vigorous hand clapping and chanting or singing,” according to From Juba to Jive by Clarence Major. [iii]

A variation was performed in 1913 at the Lafayette Theater in Harlem in a play called The Darktown Follies. Theatrical producer Florence Ziegfeld caught the play and liked the dance so much that he bought the rights to it for his Follies of 1913. [iv]  Chris Smith (music) and James Henry Burris (lyrics) wrote “Balling the Jack” for the Follies based on the African American ragtime tune. The Balling the Jack craze swept white America, eventually getting mixed in with the Lindy Hop to become a popular swing step. 

Judy Garland and Gene Kelly performed the Smith/Burris version of “Balling the Jack” in the 1942 film Me and My Gal:

First you put your two knees close up tight, then you sway ’em to the left
Then you sway ’em to the right, step around the floor kind of nice and light
Then you twist around and twist around with all your might
Stretch your lovin’ arms straight out into space
Then you do the
Eagle Rock with style and grace
Swing your foot way ’round then bring it back
Now that’s what I call Ballin’ the Jack

As Bessie Smith sang in “Baby Doll” in 1926, a man can make up for a lot by being a good dancer:

He can be ugly, he can be black

so long as he can eagle rock and ball the jack

Songs:

:“Baby Doll”~~Bessie Smith/H.Webman

“St. Louis Blues”~~W.C. Handy (William Christopher Handy)

“I Feel So Good”~~Big Bill Broonzy (Willie Lee Conley Broonzy)




[i]From Hobonickels.org.

[ii]From Streetswing.com, “Ballin The Jack.”

[iii]Major, p. 19.

[iv]Ibid.


(Excerpted from The Language of the Blues: From Alcorub to Zuzu by Debra DeSalvo. Published 2006 by Billboard Books, an imprint of Watson-Guptill Publications, a division of VNU Business Media. Reprinted with permission. ISBN: 0823083896)

Podcast expo, day zero

Friday, September 28th, 2007

MWD interviewing Grammar Girl:

gg30.jpg

Howdy! Me and DJ are at the Podcast and New Media Expo in Ontario, California. It’s a multi-purpose trip for us. We wanted to go, and also, I’m speaking here on a panel on Saturday. And Saturday is also our one-year wedding anniversary (yay!). And it’s also a working vacation for me, as I’m covering the event in words, audio and photos for the O’Reilly Digital Media site.

Debra Jean and I got here yesterday. A friend is watching our house (and our squittens!) and we came up two days early. The actual expo starts tomorrow (Friday), but we got in yesterday (Wednesday), recovered from the drive, relaxed, had some hotel lovin’, and walked around meeting people.

Tonight there was a reception for the speakers. We attended that, and I got some of the “work” out of the way early. Interviewed a bunch of “rock star level” podcasters about trends and such, and did some ambient recording for kicks.

The hotel is not only next to the airport, it’s also next to a railroad track. We actually have double-layer windows, to block out the noise. I opened the windows and recorded this short (two minutes) MP3 of the train passing by our hotel room tonight. And here is a 30-second MP3 of the speakers’ reception, which one could certainly use for a party when that need arises in some audio production.

I’ll post more later, on the O’Reilly site, probably next week, but I just wanted to check in and let you know I didn’t fall down a woodchuck hole.

MEW!

– Michael W. Dean

Podcasting for Dummies” co-author, Tee Morris getting interviewed in MWD’s room:

tee15.jpg

GearSlutz.com syndicating some “Clone The Homeless”

Tuesday, September 25th, 2007

smallgearslutz.gif

Dig this.

Nifty! They’re gonna syndicate some of the episodes I do about recording technology.

I made a special GearSlutz intro, with Debra Jean crooning the info.

–Michael W. Dean
“Clone The Homeless”
Michael W. Dean’s podcast that remembers when sex was safe and music was dangerous. (Free, and no iPod is needed to listen.)

I’m speaking at the Podcast Expo

Monday, September 24th, 2007

logo.gif

Howdy! This Saturday is me and Debra Jean Dean’s first wedding anniversary. Yay!

We’re celebrating by going to the Podcast Expo (Sept 28-30) in beautiful sunny downtown Ontario, California. I’m hella psyched.

I’m also speaking on a panel on Saturday, called Veterans of the Yahoo! Podcasting Board: What We’ve Learned These Past Two Years With Stephen Eley (bio) of Escape Pod, Matthew Wayne Selznick (bio) of MWS Media, Evo Terra (co-author of “Podcasting for Dummies” bio) of Podiobooks.com.

Debra Jean and I went last year, the day after we got married. While there, I said to her, “Hell, I’ll be speaking at this thing next year”, and like most pronouncements of mine, it came to pass.

I’m also speaking, with Debra Jean, at PodCamp, which happens Thursday, the day before the Expo really starts.

See you there!

MWD

Book review of “Neither Here Nor There”

Monday, September 24th, 2007

6a00c11413d7d0819d00d4143ee3f03c7f-500pi.jpg

I just finished reading Neither Here Nor There: Travels in Europe by Bill Bryson. I love the book. Bill Bryson makes me laugh out loud, and makes me think, which is a good combination.

The wife was reading another Bryson book, “Mother Tongue” (or “English and How It Got That Way”) while I was reading “Neither Here Nor There.” We spent this last week of evenings lying in bed next to each other, giggling and reading various passages out loud to each other.

Here are three quotes from “Neither Here Nor There” that I especially like:

“Isn’t it strange how wealth is always wasted on the rich?”

“I sat on the toilet, watching the (rusty) water run, thinking about what an odd thing tourism is. You fly off to a strange land, eagerly abandoning the comforts of home, and then expend vast quantities of time and money in a futile effort to recapture the comforts that you wouldn’t have lost if you hadn’t left home in the first place.”

“This was 1990, the year that communism died in Europe, and it seemed strange to me that in all the words that were written about the fall of the Iron Curtain, nobody lamented that it was the end of a noble experiment. I know that communism never worked, and I would have disliked living under it myself, but nonetheless it seemed there was a kind of sadness in the thought that the only economic system that appeared to work was the one based on self-interest and greed.”

I highly recommend ANYTHING by Bryson, especially this book. I really dug this one, because it’s a travelogue of many places I’ve been myself. I never thought I’d like a “travel writer” book, but this kinda transcends all that.

I give it nine thumbs up.

– Michael W. Dean

WHEN A MICROPHONE IS BETTER THAN A ROLEX

Monday, September 24th, 2007

bockmicparty-026.jpg (Michael W. Dean with a Bock microphone)

Get episode 0052 of the Clone the Homeless podcast

Interview with DAVE BOCK OF BOCK AUDIO (part 1 of 2), recorded on Bock microphones. Recorded in the living room of Dave and Kirsten Bock.

Bock Microphones are becoming a name that people expect to see in the highest-end recording studios in the World.

bockmicparty-057.jpg (Dave Bock with a Bock microphone)

Dave Bock and Michael W. Dean yack, on two Bock microphones, about recording the Bomb first demo, recording the Bomb “To Elvis In Hell” record, 16-track two inch tape, Helios consoles, Trident consoles, Hyde Street Studios, iso rooms, PSW forum, Gear Sluts, Gear Slutz, Roy Thomas Baker, how to get a great guitar sound, Don’t Fear The Reaper, More Cowbell, Helios Creed, Sandy Pearlman on Bomb, the Chatterbox, reduced by Bill Laswell, Laswell vs. Ted Tepleman, Re-20 mics, Bock microphones, Bock audio, the mic that Garrison Keillor uses, the history of shock mounts, the history of pop filters, RCA, film booms, U-47s, U-49s, Frank Church, the history of microphones, the book “Recording the Beatles”, how to do great basic tracking, Wally Heider, Al Schmidt, Jefferson Airplane, Santana, Hendrix, Flipper, Dead Kennedys, Michael Ward, recording over the Internet, and the history of Bock Audio.

ALL PHOTOS FROM THIS INTERVIEW

Part 2 of 2 of this interview.  

Clone The Homeless podcast site.

I am so brilliant!

Friday, September 21st, 2007

clonemd-photo-without-text.jpg

 

Get “Clone The Homeless” episode 0051-a

Fri, 21 Sept 2007

I am so brilliant!

Michael W. Dean answers interview questions over the Internet with Christian Holmes. Christian runs www.criticalmassmedia.tv and is a $30 Film School fan. He’s a cool guy, and is helping Michael get Stink Fight Radio on TV shown in Hawaii.

Debra Jean Dean asks Michael the questions that Christian sent. Michael records it, edits, adds in Christian’s intros and outros, and uploads both here and to Christian for his Critical Mass Media podcast.

This groovy interview covers a lot of ground. Dig it!:

Questions: In your blog post “How to Work in Web 2.0″ you mention a sleeping habit of waking up at 2 PM in the afternoon and falling asleep at 6 AM the next morning. Is this your true sleeping pattern? If so, what are your reasons or the benefits of having it?
According to Amazon.com, your book “$30 Film School” was written in 2003. What kind of feedback have you received? What seems to be your default demographic?
Your book focuses on Low and No-budget video productions. It features many useful tips and tricks from the weekend video-hobbiest or DIY diehard. Where is the main source for your insights (are they things you learned or taught yourself along the way, are they primarily tricks that were passed down to you from a teacher or mentor?)
Your current blog as I understand it to be is StinkFight.com, where did the name “Stink Fight” come from?
Many new digital media producers turn to blogging (and/or podcasting), what are the rewards or benefits you have found to blogging as an independent artist?
You have written other books besides “$30 Film School” (as a quick author search will tell you), have any of your other books met or exceeded the success of “$30 Film School”?
As your blog states, you were just recently hired at the O’Reilly network! What will this position entail and how will this new exciting job change your lifestyle as it has been recently?
What was (before O’Reilly) your main source of income?
Have you ever experimented with streaming live media online? If so, did you enjoy live-online streaming as a medium?
Obviously, readers should read your book for a copious amount of tips, tricks, and workflows for video production. What singular piece of advice would you offer to a producer just starting out in digital media production?
What is the source of the inspiration behind your art?

And some stuff about SEO, blogs, O’Reilly, how Google may end up running the world, tips for artists who want to make a living at art, and why you shouldn’t always follow your dream.

 

More BOMB that you’ve never ever heard.

Thursday, September 20th, 2007

hyde-st.jpg

CLICK HERE TO DOWNLOAD the 38-meg high-encode rate 22-minute MP3 of the 1986 Bomb demo 17 Reasons Why. (Right-click to save.)

The four songs on this demo are:
1. Madness
2. I’m Not Restless
3. I Loved You, then I Died
4. Gigi

UPDATE: This was NOT engineered by Jay Crawford, we’re still looking for that tape (”17 Reasons Why.”)

I was confused in my memory of the recording (which is not too surprising, as I was pretty confused back then, AND it was a long time ago. D’oh!)

bombtape.jpg

This tape was the unnamed demo recorded and engineered by Dave Bock at Hyde Street Studios. It was executive produced by Kirsten Bock.

bombtape2.jpg

This was a demo in preparation for the “Elvis In Hell” sessions.

The Madcap Laughs (from beyond the grave)

Thursday, September 20th, 2007

syddvdfront.jpg

DVD review: “The Pink Floyd and Syd Barrett Story”. Review by Michael W. Dean

Quick description: If you love Pink Floyd or just love a good story with a lot of human heart and beauty, watch “The Pink Floyd and Syd Barrett Story.”

(This film was originally the 2001 BBC Omnibus documentary called “Syd Barrett: Crazy Diamond.”) Omnibus is the BBC series that produced that “KLF burn a million pounds” movie I blogged about a few weeks ago.

“The Pink Floyd and Syd Barrett Story” is a well-done documentary, directed by John Edginton, about legendary Pink Floyd co-founder, Syd Barrett. Syd started the band, was the heart of their vibe, even named the band. He did a few records with them, then went mad. He was institutionalized, got a tiny bit healthier, and dropped out of society. He moved in with his mother, got fat and bald (to the point that the rest of Pink Floyd did not know who he was when they ran into him seven years later). He refused to give interviews, and hibernated in his mom’s suburban cottage.

Syd died at age 60 last year, after this film was finished. He died of pancreatic cancer, as a complication from diabetes.

Syd Barrett’s story is kind of like “The Devil and Daniel Johnston”, or the Roky Erickson story (”You’re Gonna Miss Me”), except with someone who had a few number-one hits at one point and also started one of the most famous and long-running bands ever. This film even manages to get David Gilmore and Roger Waters on the same screen, when no one’s been able to get them into the same room, except a courtroom, in almost two decades.

(Yeah, I know Erickson had a hit once, but not one that blew my mind. And I met Roky one time; I wasn’t impressed. And he bummed a dollar off of me.)

Pink Floyd was my favorite band when I was a kid, and still are one of my favorites. I venerated them. I wanted to BE Syd Barrett when I grew up. I sort of met this goal, (without the ongoing madness)….I’m an artistic genius, I’m plump and I live in the suburbs. (Though he was cuter at 20 than I was, but I’m cuter now than he was at 43. Does that mean I win?)

syd.jpg

I loved that photo of him in the empty room on the cover of his first solo album, “The Madcap Laughs.” I liked the back cover with the naked girl too. I thought, “When I grow up, I’ll have a room like that. (And the girl too!)”

syd2.jpg

I tried to kill myself when I was 20, and ended up in a mental institution for a spell….As dark as I was, I still dug that I was in the same kind of place that Syd had been. I wrote the contrapuntal middle part of “I Loved You then I Died” on a piano in the mental institution. (Short MP3 excerpt here). I felt I WAS Syd.

“The Pink Floyd and Syd Barrett Story” is sweet, informative, heavy and even psychedelic. It’s edited with that common mix of talking heads, still photos and archive footage that so many documentaries (including the ones I direct) use, and that the BBC is so good at.

It’s a standard-style documentary. The very British version of the standard-style documentary, but hey, the BBC helped invent that standard. Love the foxy very English female narration too.

Standard-style documentary is fine, if you have a great story and interview the correct people who are part of the story, and edit it well; it works. And Syd’s rise, fall, and disappearance from society is a great story.

The archive footage is old TV shows, old interview, Super 8 footage of Pink Floyd gigs in front of 30 people, and somehow, home movies of Syd’s first acid trip.

There are good (and even loving) interviews with the rest of Pink Floyd, Syd’s old girlfriend. One of my favorite interviewees is Syd’s old landlord…a great guy with funny storie